03143nam a22004815i 4500001001800000003000900018005001700027007001500044008004100059020003700100024003500137050001600172072001500188072001500203072002300218072001800241100008200259245012100341250001800462264007900480300004200559336002600601337002600627338003600653347002400689505051300713520096701226650003802193650004002231650002802271650003302299650002802332650004202360710003402402773002602436776003602462776003602498776003602534856004602570912001402616912001402630999001702644978-3-031-70207-5DE-He21320251030113056.0cr nn 008mamaa240920s2024    sz |    s    |||| 0|eng d  a97830317020759978-3-031-70207-57 a10.1007/978-3-031-70207-52doi 4aPN1993.5.U6 7aAP2bicssc 7a1K2bicssc 7aPER0040002bisacsh 7aATx1K2thema1 aZinman, Rick.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut98473610aReality and Fantasy in American Independent Cinemah[electronic resource] :bA Cavellian Approach /cby Rick Zinman.  a1st ed. 2024. 1aCham :bSpringer Nature Switzerland :bImprint: Palgrave Macmillan,c2024.  aXV, 204 p. 5 illus.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda0 aChapter1. Introduction -- Part1. Theoretical Approaches to Film Fantasy -- Chapter2. Opposition to Mainstream Fantasy -- Chapter3. A Cavellian Approach to Fantasy Film Criticism -- Part2. Reality and Fantasy in American Indie Films -- Chapter4. Fantasies of Immortality, The Good Life and Romantic Love in Only Lovers Left Alive and Groundhog Day -- Chapter5. Fantasy and Desire in Birdman -- Chapter6. The Fantasy World of The Grand Budapest Hotel -- Chapter7. Boyhood and the Mystery of Growing Up on Film.  aIn the 21st century, blockbuster fantasy films have dominated film viewership in the United States. The increased popularity of fantasy films has generated much greater scholarly interest in the study of fantasy films. It has also generated an artistic response by American Indie filmmakers who have developed alternative approaches to the portrayal of film fantasy. Reality and Fantasy in American Indie Films: A Cavellian Approach applies the methods and procedures of Cavellian philosophical film criticism to the study of four prominent American indie films released in 2014 in which fantasy can be said to play an important role: Birdman (Alejandro G. Iñárritu); Boyhood (Richard Linklater); The Grand Budapest Hotel (Wes Anderson); and Only Lovers Left Alive (Jim Jarmusch). Rick Zinman is an independent scholar based in Santa Cruz, California. His work has appeared in Film-Philosophy and Quarterly Review of Film and Video, among other publications. 0aMotion pictures, American.969734 0aMotion picturesxAesthetics.973068 0aMotion pictures.95849614aAmerican Film and TV.97239224aFilm Philosophy.97307124aClose Readings in Film and TV.9729902 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978303170206808iPrinted edition:z978303170208208iPrinted edition:z978303170209940uhttps://doi.org/10.1007/978-3-031-70207-5  aZDB-2-LCM  aZDB-2-SXL  c63580d63580