03049nam a22005295i 4500001001800000003000900018005001700027007001500044008004100059020003700100024003500137050001400172072001600186072001600202072002300218072001500241072001600256100015200272245011300424250001800537264007500555300004400630336002600674337002600700338003600726347002400762490005000786505013200836520105000968650002002018650004002038650002502078650002302103650003302126650002902159650002802188650002302216710003402239773002602273776003602299776003602335830005702371856004602428912001402474912001402488999001702502978-3-031-61756-0DE-He21320251030113107.0cr nn 008mamaa240927s2024    sz |    s    |||| 0|eng d  a97830316175609978-3-031-61756-07 a10.1007/978-3-031-61756-02doi 4aHM621-656 7aJHB2bicssc 7aJFC2bicssc 7aSOC0260002bisacsh 7aJHB2thema 7aJBCC2thema1 aStefanija, Leon.eauthor.0(orcid)0000-0003-0791-801X1https://orcid.org/0000-0003-0791-801X4aut4http://id.loc.gov/vocabulary/relators/aut98505810aSociology of Musich[electronic resource] :bHistory, Theory, Methodology and Practice /cby Leon Stefanija.  a1st ed. 2024. 1aCham :bSpringer International Publishing :bImprint: Springer,c2024.  aXXI, 271 p. 95 illus.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda1 aSpringer Texts in Social Sciences,x2730-61430 aIntroduction -- A History of Sociological Approaches to Music -- Theory -- Methodology -- Practice of Social Research of Music.  aThe textbook provides students with insight into and overview of the basics of social research on music. It addresses the Who, What, When, Where, Why, How of music research through four perspectives from the sociological study of music: a historical survey of the social study of music (when), theoretical points of view (what), and methodological (how), and pragmatic aspects (who, why & how). The other Ws (where and why) are included within the four main perspectives. The four perspectives – history, theory, methodology, and practice – are complementary. Some of the names included in the theory and practice of music are also listed as a part of the history of music sociology, and vice versa. In this way, the book encompasses what Howard S. Becker has conceptualized as an art world, Kurt Blaukopf as musical practice, and Christopher Small as musicking. Covering all the relevant details yet concise in structure, this book is ideal for students of the sociology of music, musical education, musicology and of arts and aethestics. . 0aCulture.959159 0aCulturexStudy and teaching.966082 0aMusic theory.974241 0aAesthetics.96400014aSociology of Culture.96898524aCultural Studies.95874524aTheory of Music.97424224aAesthetics.9640002 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978303161755308iPrinted edition:z9783031617577 0aSpringer Texts in Social Sciences,x2730-614398038840uhttps://doi.org/10.1007/978-3-031-61756-0  aZDB-2-SLS  aZDB-2-SXS  c63737d63737