03125nam a22004575i 4500001001800000003000900018005001700027007001500044008004100059020001800100024003500118050001300153072001500166072001500181072002300196072001800219245016200237250001800399264008200417300006300499336002600562337002600588338003600614347002400650505046500674520102101139650003502160650002202195650001002217650002002227650003402247650001002281700008202291700008002373710003402453773002602487776003602513776003602549776003602585856004602621978-981-97-4418-3DE-He21320251030113143.0cr nn 008mamaa241015s2024    si |    s    |||| 0|eng d  a97898197441837 a10.1007/978-981-97-4418-32doi 4aJQ1-1852 7aJP2bicssc 7a1F2bicssc 7aPOL0540002bisacsh 7aJPx1F2thema10aLabour and Privilege / Future Commonsh[electronic resource] :bNew Writings on Contemporary Art Practices /cedited by Melissa Karmen Lee, Daniel Szehin Ho.  a1st ed. 2024. 1aSingapore :bSpringer Nature Singapore :bImprint: Palgrave Macmillan,c2024.  aXIV, 109 p. 7 illus., 3 illus. in color.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda0 a1. Remembering the 1960s: Examining the Double Legacy of the 60s and the Notion of Criticality It Has Engendered in Contemporary Life -- 2. 1968, or Vulnerability in the Two Koreas -- 3. Autonomia: On the Entwinement of Workerism and Aesthetic Autonomy in the Work of Piero Manzoni -- 4. Rirkrit Tiravanija in Conversation -- 5. Martha Rosler and Rirkrit Tiravanija in Conversation with Tobias Berger -- 6. Living Futurities: Alien Commons in Contemporary Art.  aThis book project was part of an annual series of Summer seminars held at Hong Kong's Tai Kwun Centre for Heritage and Arts, which brought the intellectual community together to debate the social issues of the day. The artists, writers, and scholars included in these texts represent unconventional thinkers completing rigorous scholarship that we think is important to be published today, as Hong Kong seeks for social and political alternatives. This book will be of interest to public intellectuals, political/cultural theorists and thinkers, as well as the international art community. Dr. Melissa Lee is CEO of the Chinese Canadian Museum. Previously, during the commissioning of this book and project, she was the Education and Public Programmes Curator at Tai Kwun. She holds degrees from McGill, University of Canterbury, and Lancaster. Daniel Ho is Senior Editor at Tai Kwun Centre for Heritage and Arts, Hong Kong. Previously, he was Chief Editor of Ran Dian magazine. He holds a MA from McGill University. 0aAsiaxPolitics and government. 0aEconomic history. 0aArts.14aAsian Politics.24aEconomy-wide Country Studies.24aArts.1 aLee, Melissa Karmen.eeditor.4edt4http://id.loc.gov/vocabulary/relators/edt1 aHo, Daniel Szehin.eeditor.4edt4http://id.loc.gov/vocabulary/relators/edt2 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978981974417608iPrinted edition:z978981974419008iPrinted edition:z978981974420640uhttps://doi.org/10.1007/978-981-97-4418-3