04815nam a22005895i 4500 978-3-031-72271-4 DE-He213 20251030113241.0 cr nn 008mamaa 241023s2024 sz | s |||| 0|eng d 9783031722714 978-3-031-72271-4 10.1007/978-3-031-72271-4 doi Q175.4-.55 JF bicssc SOC000000 bisacsh JB thema Edwards, Howell G. M. author. aut http://id.loc.gov/vocabulary/relators/aut 79546 A Raphael Madonna and Child Oil Painting: A Forensic Analytical Evaluation [electronic resource] / by Howell G. M. Edwards. 1st ed. 2024. Cham : Springer Nature Switzerland : Imprint: Springer, 2024. XVIII, 316 p. 112 illus., 97 illus. in color. online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Chapter 1 : Setting the Scene :The Adoption of Forensic Holistic Analysis in the Attribution of an Artwork and the Role of Connoisseurship -- Chapter 2: The Life and Death of Raffael Sanz di Urbino -- Chapter 3: The de Brécy Tondo: A History Prior to its Purchase in 1981 and Afterwards -- Chapter 4: Scientific Analysis and the Analytical Scientific Evidence for the de Brécy Tondo being a Renaissance Painting -- Chapter 5: The Sistine Madonna -- Chapter 6: Renaissance Pigments and Raphael’s Palette -- Chapter 7: The Application of Artificial Intelligence (AI) to the Attribution of Art Works -- Chapter 8: Case Studies -- Chapter 9: Summary and Conclusions -- Appendix I: Raphael’s Paintings -- Catalogue Raisonee of Professor Jurg Meyer zu Capellen ( 2001-2008) -- Appendix II: Professor Jurg Meyer zu Capellen – Rejected Raphael Painting Attributions and Attributed Raphael Workshop Paintings* -- Appendix III : Dr Luitspold Dussler’s Catalogue Raisonnee of Raphael Paintings -- Appendix IV : Additional Data for Raphael’s Artworks in the Catalogue Raisonee of zu Capellen -- Appendix IV Table 1: Provenance, Preparative Studies , Copies of Original Paintings and Drawings, Prints and Engravings for Attributed -- Raphael Oil Paintings* -- Appendix IV Table 2 : Composition of Raphael’s Madonna and Child Paintings -- Appendix V : Luitpold Dussler - Rejected Raphael Attributions. This book presents a comprehensive forensic analysis of an oil painting depicting a Madonna and Child in a tondo format, previously thought to be a Victorian copy. Detailed historical and scientific studies confirm that this painting was, in fact, created by Raphael around 1512 as a study for his renowned Sistine Madonna, commissioned by Pope Julius II as an altarpiece for the monastic church of San Sisto in Piacenza. The painting underwent rigorous forensic examination, combining historical research with both invasive and non-invasive scientific imaging techniques. The analysis utilized advanced physical and chemical instrumentation to determine the painting's authenticity and accurate chronological placement. A comparative review of published chemical analyses of pigments, dyes, and substrates used in Raphael’s works from collections worldwide is included. Additionally, this study explores the innovative use of artificial intelligence (AI) for facial comparison between the figures in the tondo painting, the Sistine Madonna, and other Raphael artworks. These AI-generated insights provide novel information about the identities of Raphael’s models and shed light on his working techniques, as well as those of his associates. Science Social aspects. 69032 Cultural property. Analytical chemistry. Artificial intelligence. 58441 Materials Analysis. European literature Renaissance, 1450-1600. 67445 Science and Technology Studies. 69033 Cultural Heritage. Analytical Chemistry. Artificial Intelligence. 58441 Characterization and Analytical Technique. 66416 Early Modern and Renaissance Literature. 67447 SpringerLink (Online service) Springer Nature eBook Printed edition: 9783031722707 Printed edition: 9783031722721 Printed edition: 9783031722738 https://doi.org/10.1007/978-3-031-72271-4 ZDB-2-SLS ZDB-2-SXS 64422 64422