04622nam a22005415i 4500001001800000003000900018005001700027007001500044008004100059020003700100024003500137050001500172072001500187072002300202072001400225100009000239245013000329250001800459264006900477300006800546336002600614337002600640338003600666347002400702505140800726520125102134650003603385650002303421650002603444650003603470650002503506650005603531650004303587650002303630650002603653650003603679650005403715650005203769710003403821773002603855776003603881776003603917776003603953856004603989912001404035912001404049999001704063978-3-031-72271-4DE-He21320251030113241.0cr nn 008mamaa241023s2024    sz |    s    |||| 0|eng d  a97830317227149978-3-031-72271-47 a10.1007/978-3-031-72271-42doi 4aQ175.4-.55 7aJF2bicssc 7aSOC0000002bisacsh 7aJB2thema1 aEdwards, Howell G. M.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut97954612aA Raphael Madonna and Child Oil Painting: A Forensic Analytical Evaluationh[electronic resource] /cby Howell G. M. Edwards.  a1st ed. 2024. 1aCham :bSpringer Nature Switzerland :bImprint: Springer,c2024.  aXVIII, 316 p. 112 illus., 97 illus. in color.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda0 aChapter 1 : Setting the Scene :The Adoption of Forensic Holistic Analysis in the Attribution of an Artwork and the Role of Connoisseurship -- Chapter 2: The Life and Death of Raffael Sanz di Urbino -- Chapter 3: The de Brécy Tondo: A History Prior to its Purchase in 1981 and Afterwards -- Chapter 4: Scientific Analysis and the Analytical Scientific Evidence for the de Brécy Tondo being a Renaissance Painting -- Chapter 5: The Sistine Madonna -- Chapter 6: Renaissance Pigments and Raphael’s Palette -- Chapter 7: The Application of Artificial Intelligence (AI) to the Attribution of Art Works -- Chapter 8: Case Studies -- Chapter 9: Summary and Conclusions -- Appendix I: Raphael’s Paintings -- Catalogue Raisonee of Professor Jurg Meyer zu Capellen ( 2001-2008) -- Appendix II: Professor Jurg Meyer zu Capellen – Rejected Raphael Painting Attributions and Attributed Raphael Workshop Paintings* -- Appendix III : Dr Luitspold Dussler’s Catalogue Raisonnee of Raphael Paintings -- Appendix IV : Additional Data for Raphael’s Artworks in the Catalogue Raisonee of zu Capellen -- Appendix IV Table 1: Provenance, Preparative Studies , Copies of Original Paintings and Drawings, Prints and Engravings for Attributed -- Raphael Oil Paintings* -- Appendix IV Table 2 : Composition of Raphael’s Madonna and Child Paintings -- Appendix V : Luitpold Dussler - Rejected Raphael Attributions.  aThis book presents a comprehensive forensic analysis of an oil painting depicting a Madonna and Child in a tondo format, previously thought to be a Victorian copy. Detailed historical and scientific studies confirm that this painting was, in fact, created by Raphael around 1512 as a study for his renowned Sistine Madonna, commissioned by Pope Julius II as an altarpiece for the monastic church of San Sisto in Piacenza. The painting underwent rigorous forensic examination, combining historical research with both invasive and non-invasive scientific imaging techniques. The analysis utilized advanced physical and chemical instrumentation to determine the painting's authenticity and accurate chronological placement. A comparative review of published chemical analyses of pigments, dyes, and substrates used in Raphael’s works from collections worldwide is included. Additionally, this study explores the innovative use of artificial intelligence (AI) for facial comparison between the figures in the tondo painting, the Sistine Madonna, and other Raphael artworks. These AI-generated insights provide novel information about the identities of Raphael’s models and shed light on his working techniques, as well as those of his associates. 0aSciencexSocial aspects.969032 0aCultural property. 0aAnalytical chemistry. 0aArtificial intelligence.958441 0aMaterialsxAnalysis. 0aEuropean literaturexRenaissance, 1450-1600.96744514aScience and Technology Studies.96903324aCultural Heritage.24aAnalytical Chemistry.24aArtificial Intelligence.95844124aCharacterization and Analytical Technique.96641624aEarly Modern and Renaissance Literature.9674472 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978303172270708iPrinted edition:z978303172272108iPrinted edition:z978303172273840uhttps://doi.org/10.1007/978-3-031-72271-4  aZDB-2-SLS  aZDB-2-SXS  c64422d64422