04152nam a22004935i 4500 978-3-031-70435-2 DE-He213 20251030113248.0 cr nn 008mamaa 241027s2024 sz | s |||| 0|eng d 9783031704352 978-3-031-70435-2 10.1007/978-3-031-70435-2 doi JZ2-6530 JPS bicssc POL011000 bisacsh JPS thema F.Caetano, Gabriel. author. aut http://id.loc.gov/vocabulary/relators/aut 86696 Drones and the Annihilation-Image in Contemporary Warfare [electronic resource] : The Case of 'Eye in the Sky' in the Washington-Hollywood Entanglement / by Gabriel F.Caetano. 1st ed. 2024. Cham : Springer Nature Switzerland : Imprint: Palgrave Macmillan, 2024. XII, 291 p. 37 illus., 27 illus. in color. online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Global Political Sociology, 2946-5567 Chapter 1: Introduction: How do images participate in the annihilation of humans? -- Chapter 2: Thinking and Writing (politics) Cinematically: The Cinematic mode of political theorizing -- Chapter 3: Aesthetics and International Relations: An overview of Sensible Politics -- Chapter 4: Drones: A visual, vertical, and virtual Genealogy -- Chapter 5: Washington and Hollywood: An Entanglement -- Chapter 6: Becoming-Drone: From Military Scopophilia to Annihilation-image -- Chapter 7:Drones in the Age of Excessive Autonomy: Concluding Remarks. This book analyses the entanglement between Washington and Hollywood to shed light on the violence inherent in the image as a semiotic-material agent in contemporary warfare. In the 21st century, the weaponized military drone, an image-centered machine, has spearheaded the geopolitical curatorship of the USA in the context of the war on terror. Drone violence shares the same characteristics as cinema: image and movement. However, a drone's image is not purely a reflection of the nature of war; it is more than representational, it is performative. Building upon the concept of annihilation-image, this book argues that the image wields a destructive agency as it transitions from reflection to diffraction. Rather than mirroring reality, the annihilation-image creates a brutal pattern of difference in the world. It is a destructive ontology in which seeing and annihilating are in a state of superposition. Therefore, everything that is framed is potentially dead. That is to say, by framing bodies and objects in the terrain, a state of superpositional violence is created in which one is alive, but virtually dead. Gabriel F. Caetano holds a Ph.D. in International Relations from the Pontifical Catholic University of Rio de Janeiro (IRI/PUC-Rio). He is currently an Assistant Professor of International Relations at IESB University Centre in Brasília-DF. He is an associate researcher at the Network of Peace, Conflict, and Critical Security Studies (PCECS) and a member of the Latin American Studies Association (LASA). His primary research interests focus on the dynamics of war and peace, with a particular emphasis on aesthetics, visuality, and new weapons technologies. International relations. 58103 International Relations Theory. 68303 SpringerLink (Online service) Springer Nature eBook Printed edition: 9783031704345 Printed edition: 9783031704369 Printed edition: 9783031704376 Global Political Sociology, 2946-5567 72110 https://doi.org/10.1007/978-3-031-70435-2 ZDB-2-POS ZDB-2-SXPI 64536 64536