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  <titleInfo>
    <title>Drones and the Annihilation-Image in Contemporary Warfare</title>
    <subTitle>The Case of 'Eye in the Sky' in the Washington-Hollywood Entanglement</subTitle>
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    <namePart>F.Caetano, Gabriel.</namePart>
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    <dateIssued encoding="marc">2024</dateIssued>
    <edition>1st ed. 2024.</edition>
    <issuance>monographic</issuance>
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    <extent>XII, 291 p. 37 illus., 27 illus. in color. online resource.</extent>
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  <abstract>This book analyses the entanglement between Washington and Hollywood to shed light on the violence inherent in the image as a semiotic-material agent in contemporary warfare. In the 21st century, the weaponized military drone, an image-centered machine, has spearheaded the geopolitical curatorship of the USA in the context of the war on terror. Drone violence shares the same characteristics as cinema: image and movement. However, a drone's image is not purely a reflection of the nature of war; it is more than representational, it is performative. Building upon the concept of annihilation-image, this book argues that the image wields a destructive agency as it transitions from reflection to diffraction. Rather than mirroring reality, the annihilation-image creates a brutal pattern of difference in the world. It is a destructive ontology in which seeing and annihilating are in a state of superposition. Therefore, everything that is framed is potentially dead. That is to say, by framing bodies and objects in the terrain, a state of superpositional violence is created in which one is alive, but virtually dead. Gabriel F. Caetano holds a Ph.D. in International Relations from the Pontifical Catholic University of Rio de Janeiro (IRI/PUC-Rio). He is currently an Assistant Professor of International Relations at IESB University Centre in Brasília-DF. He is an associate researcher at the Network of Peace, Conflict, and Critical Security Studies (PCECS) and a member of the Latin American Studies Association (LASA). His primary research interests focus on the dynamics of war and peace, with a particular emphasis on aesthetics, visuality, and new weapons technologies.</abstract>
  <tableOfContents>Chapter 1: Introduction: How do images participate in the annihilation of humans? -- Chapter 2: Thinking and Writing (politics) Cinematically: The Cinematic mode of political theorizing -- Chapter 3: Aesthetics and International Relations: An overview of Sensible Politics -- Chapter 4: Drones: A visual, vertical, and virtual Genealogy -- Chapter 5: Washington and Hollywood: An Entanglement -- Chapter 6: Becoming-Drone: From Military Scopophilia to Annihilation-image -- Chapter 7:Drones in the Age of Excessive Autonomy: Concluding Remarks.</tableOfContents>
  <note type="statement of responsibility">by Gabriel F.Caetano.</note>
  <subject authority="lcsh">
    <topic>International relations</topic>
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  <subject>
    <topic>International Relations Theory</topic>
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  <classification authority="lcc">JZ2-6530</classification>
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      <title>Global Political Sociology</title>
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  <identifier type="isbn">9783031704352</identifier>
  <identifier type="uri">https://doi.org/10.1007/978-3-031-70435-2</identifier>
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