03368nam a22005175i 4500001001800000003000900018005001700027007001500044008004100059020001800100024003500118050001400153072001600167072001500183072002300198072001600221072001400237100007700251245013900328250001800467264007900485300006200564336002600626337002600652338003600678347002400714490003900738505044300777520117301220650002102393650002702414650002102441650001302462650001502475650003402490650002302524650001902547650003102566710003402597773002602631776003602657776003602693776003602729830003902765856004602804978-3-031-72037-6DE-He21320251030113248.0cr nn 008mamaa241027s2024 sz | s |||| 0|eng d a97830317203767 a10.1007/978-3-031-72037-62doi 4aHM621-656 7aJFC2bicssc 7aJP2bicssc 7aPOL0380002bisacsh 7aJBCC2thema 7aJP2thema1 aGoh, Teck Fann.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut10aJapanese Film Festivals in the Asia-Pacifich[electronic resource] :bCultural Diplomacy, Practices and Audiences /cby Teck Fann Goh. a1st ed. 2024. 1aCham :bSpringer Nature Switzerland :bImprint: Palgrave Macmillan,c2024. aXV, 211 p. 4 illus., 3 illus. in color.bonline resource. atextbtxt2rdacontent acomputerbc2rdamedia aonline resourcebcr2rdacarrier atext filebPDF2rda1 aFraming Film Festivals,x2946-37420 aChapter 1: Introduction -- Chapter 2: Screening Japan Abroad: Situating the Emergence of Japanese Film Festivals in the Asia-Pacific -- Chapter 3: Organising Japanese Film Festivals: Institutional Goals, Structures and Actors -- Chapter 4: Programming Japan Abroad: Japanese Film Festivals and the Politics of National Images -- Chapter 5: Going to Japanese Film Festivals: Audiences, Motivations and Experiences -- Chapter 6: Conclusion. aThis book represents the first in-depth research dedicated to examining the historical and contemporary developments of Japanese film festivals as sites of cultural diplomacy. It focuses on the proliferation, network and operation of Japanese Film Festivals (JFFs) in the Asia-Pacific from the late 1970s until 2020. Through case examples in Australia, Malaysia and Thailand, the book explores how the formation and recent developments of JFFs in the region reflect wider changes in the function of Japanese cultural diplomacy through films, particularly with the intensification of economic, cultural and diplomatic opportunities presented in this geopolitical space. Teck Fann Goh is Lecturer in Arts and Cultural Management at the University of Melbourne. She obtained her PhD from the School of Media, Film and Journalism at Monash University, Australia. Her research focuses on the implementation of cultural policy in the organisation of film festivals and how institutions practice cultural diplomacy on the international stage to enhance cultural connections. Her other research interests include contemporary film cultures and Asian media and popular culture. 0aCultural policy. 0aMotion picturesxAsia. 0aEthnologyxAsia. 0aCulture. 0aEthnology.14aCultural Policy and Politics.24aAsian Film and TV.24aAsian Culture.24aRegional Cultural Studies.2 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978303172036908iPrinted edition:z978303172038308iPrinted edition:z9783031720390 0aFraming Film Festivals,x2946-374240uhttps://doi.org/10.1007/978-3-031-72037-6