05310nam a22005295i 4500001001800000003000900018005001700027007001500044008004100059020003700100024003500137050001800172072001600190072002300206072001500229245016900244250001800413264007900431300006500510336002600575337002600601338003600627347002400663505090200687520241801589650001804007650001904025650004004044650002804084650002004112650001804132650004104150650002704191650004104218700008804259700008704347700008704434710003404521773002604555776003604581776003604617776003604653856004604689912001404735912001404749999001704763978-3-031-69084-6DE-He21320251030113248.0cr nn 008mamaa241028s2024    sz |    s    |||| 0|eng d  a97830316908469978-3-031-69084-67 a10.1007/978-3-031-69084-62doi 4aGV1580-1799.4 7aASD2bicssc 7aPER0030002bisacsh 7aATQ2thema10aDance, Performance and Visual Arth[electronic resource] :bIntersections with Material Culture /cedited by Linda E. Dankworth, Henia Rottenberg, Deborah Williams.  a1st ed. 2024. 1aCham :bSpringer Nature Switzerland :bImprint: Palgrave Macmillan,c2024.  aXIV, 195 p. 23 illus., 20 illus. in color.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda0 aChapter 1 - The Politics of Movement Appropriation: From Visual Art to Contemporary Dance -- Chapter 2 - Mauro Bigonzetti’s Caravaggio (2008): Exploring painting techniques as choreographic devices -- Chapter 3 - Escapist-Escaping Performances of Hats Theatre, Belgrade -- Chapter 4 - From Page to Stage: Irish dance costumes and the use of illustrations from The Book of Kells -- Chapter 5 - Articulating Dancing Bodies: Social and Pictorial Representations in Early Indian Art -- Chapter 6 - Dancing Clay: on kinaesthetic experience and tactile materialization -- Chapter 7 - Process as Performance: The collaborative methods of choreographer, Merce Cunningham and Pop artist, Richard Hamilton -- Chapter 8 - From Physical Sensation to Digital Presentation: Exploring Interdisciplinary World Building -- Chapter 9 - Frozen Scenography: Extending Somatic Movement Practice through 3D- Scanning.  aThis collection presents a selection of essays written from a point of view that has dance, movement, or performance at its centre, and examines the intellectual and material relationship to the art form from which they are conceived. The themes that emerge from the authors’ contributions signify a desire to explore individual techniques in making art or unravelling the techniques of others within the composition of visual art and its contemporary movement language. Similarly, textual, and pictorial representations depict both antiquated and modern art and all their social aspects of human life. Digitization also remains a strong focus in both dance and its representation in performance contexts and place in social constructs of societies. Linda E Dankworth is an independent dance ethnographer and ethnochoreologist and has published extensively on Mallorquin dance. She is the joint editor of Dance Ethnography and Global Perspectives: Identity, Embodiment and Culture, Palgrave Macmillan (2014). She established the ‘Dance Histories’ Degree Course at the School of Liberal and Performing Arts, University of Gloucestershire in 2019. Linda is also Co-Director and founder of the workshops of the World Folk Dance Festival, Palma, Mallorca (2005-2011). Henia Rottenberg is a dance studies scholar, whose interests focus on the dialogue between dance and visual art and on dance in Israel. She is co-editor of Resling books (in Hebrew): Dance Discourse in Israel (2009), Sara Levi-Tanai (2015) Points of Contact (2018), editor of Bat-Dor: The Story of a Dance Company (2020), and a co-editor of Moving through Conflict (2020). Henia lectures in the Theatre Studies faculty at Western Galilee College, Israel, and was Head of the Dance Theatre Program from 2012-2019. Deborah Williams is a senior lecturer in Dance Studies at the University of Malta. She holds a BA in Dance with a focus on education and community partnerships from Smith College (Five College Dance Department) USA. From the University of Roehampton in London, Deborah received both an MA in Dance Anthropology and a PhD in Dance. Her research is rooted in the fields of dance anthropology, ethnography, and oral history, and centres around highlighting the voices of non-professional dancers. Her current research areas include investigating dance, social value, and representation, and dance/movement within digital game design. 0aDance.967903 0aActors.967645 0aCulturexStudy and teaching.966082 0aPerforming arts.967607 0aTheater.96669114aDance.96790324aPerformers and Practitioners.96765024aVisual Culture.96608424aTheatre and Performance Arts.9676111 aDankworth, Linda E.eeditor.4edt4http://id.loc.gov/vocabulary/relators/edt9867241 aRottenberg, Henia.eeditor.4edt4http://id.loc.gov/vocabulary/relators/edt9867251 aWilliams, Deborah.eeditor.4edt4http://id.loc.gov/vocabulary/relators/edt9867262 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978303169083908iPrinted edition:z978303169085308iPrinted edition:z978303169086040uhttps://doi.org/10.1007/978-3-031-69084-6  aZDB-2-LCM  aZDB-2-SXL  c64552d64552