03787nam a22004695i 4500001001800000003000900018005001700027007001500044008004100059020003700100024003500137050001500172072001500187072002300202072001500225100008200240245010800322250001800430264007200448300006700520336002600587337002600613338003600639347002400675505049800699520170701197650002502904650003802929650001902967650002402986650002903010650001903039710003403058773002603092776003603118776003603154776003603190856004603226912001403272912001403286999001703300978-981-99-9899-9DE-He21320251030113251.0cr nn 008mamaa241029s2024    si |    s    |||| 0|eng d  a97898199989999978-981-99-9899-97 a10.1007/978-981-99-9899-92doi 4aN5300-7418 7aAC2bicssc 7aART0150002bisacsh 7aAGA2thema1 aXiao'ou, Cao.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut98680910aChinese Modern Design Thinkingh[electronic resource] :bLife, Enlightenment, Change /cby Cao Xiao'ou.  a1st ed. 2024. 1aSingapore :bSpringer Nature Singapore :bImprint: Springer,c2024.  aXVI, 307 p. 254 illus., 217 illus. in color.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda0 aPreface I -- Preface II -- Chapter 1 Design and Modern Enlightenment -- Chapter 2 “Revolution” and “Technological Aesthetics” -- Chapter 3 The Beginning of “Contemporaneity” and The End of “Arts and Crafts” -- Chapter 4 Design in the “New Era” -- Chapter 5 Paradox of “Manufacturing” -- Chapter 6 Imagination of Urbanization -- Chapter 7 The National Design Strategies -- Chapter 8 Discourse Mode of Design -- Chapter 9 Design in the Era of Globalization -- Postscript.  aThis book studies the development of modern and contemporary design art in China since 1978. Starting with the design enlightenment, and closely following the evolution of the visual and material forms in three levels of “individual”, “group”, and “country” since the reform and opening up, the book comprehensively and meticulously describes and analyzes the social particularity of the changes of Chinese design art in this period and makes corresponding evaluations on its “success” and “failure”. The author believes that Chinese modern design thinking has arisen from the problems displayed in the phenomena and events of Chinese modern design. Therefore, with nine chapters organized in chronological order and unfolded layer by layer by focusing on the relevant topics of “design thinking”, the book has sorted out the academic contentions, important events, phenomena, details of Chinese design in this period by placing design in the background of great history, and has searched, discovered, and summarized the key problems of Chinese design in each stage, and analyzed the causes and consequences, and has specially studied on the gains and losses of important phenomena and theoretical problems and correspondingly made theoretical comments. Therefore, it is a book comprehensively presenting the overall look of the development of Chinese modern design “thinking” history. This book has a grand structure and detailed content. The author and her research objects always coexist in the same context, and the writing style is fresh, the argument is reasonable, and the pictures and texts complement each other, so the book has both academic depth and readability. 0aArtxHistory.968955 0aArt, Modernx21st century.966083 0aDesign.93686614aArt History.96895724aContemporary Art.96608524aDesign.9368662 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978981999898208iPrinted edition:z978981999900208iPrinted edition:z978981999901940uhttps://doi.org/10.1007/978-981-99-9899-9  aZDB-2-HTY  aZDB-2-SXH  c64597d64597