05102nam a22004935i 4500001001800000003000900018005001700027007001500044008004100059020001800100024003500118050001400153072001700167072002300184072001500207245019600222250001800418264007900436300006200515336002600577337002600603338003600629347002400665505170100689520159802390650002203988650002104010650002004031650003204051650000904083650002904092650002204121650004104143650002104184650002004205700008304225700008604308710003404394773002604428776003604454776003604490776003604526856004604562978-3-031-62482-7DE-He21320251030113304.0cr nn 008mamaa241109s2024    sz |    s    |||| 0|eng d  a97830316248277 a10.1007/978-3-031-62482-72doi 4aE16-18.85 7aHBJK2bicssc 7aHIS0380002bisacsh 7aNHK2thema10aNomadic New Womenh[electronic resource] :bExile and Border-Crossing between Spain and the Americas, Early to Mid-Twentieth Century /cedited by Renée M. Silverman, Esther Sánchez-Pardo.  a1st ed. 2024. 1aCham :bSpringer Nature Switzerland :bImprint: Palgrave Macmillan,c2024.  aXV, 362 p. 3 illus., 1 illus. in color.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda0 a1. Introduction: Nomadic New Women: Border-Crossing and Inter-Cultural Encounter -- Section I. Women writing (in) Exile. Art, Life, Politics -- 2. Ana Eire, “The Intimacy of Distance: Homelessness and Homecoming in the Poetry of Marina Romero” -- 3. Javier Sánchez, “A Voice in the Margins: Ana María Martínez Sagi’s Poetry in Exile” -- 4.Leonor María Martínez Serrano, “Words in Space: The Exile Diary of Zenobia Camprubí” -- 5. Lisa Nalbone, “‘A Gem of Many Colors’: Articulating Migration in Isabel de Palencia’s I Must Have Liberty (1940)” -- 6. Esther Sánchez-Pardo, “María Zambrano’s Caribbean Imaginings: Philosophy from Island to Continent and Back” -- 7. Juli Highfill, “The Scene of the Firing Squad: Zambrano’s Delirium and Destiny and Goya’s Third of May” -- Section II. Border-Crossing: Displacement and Creativity -- 8. Anett K. Jessop, “Gertrude Stein Off Center in Spain (1901-1916)” -- 9. Maria Labbato, “La Americanita: Janet Riesenfeld’s Nomadic Crossings of The Spanish Civil War and Exile” -- 10. Javier Martín Párraga, “From British Sorcery to El Mundo Mágico De Los Mayas: Leonora Carrington’s Cultural Hybridity” -- Section III. New Women, New Art Forms -- 11. Aránzazu Díaz-Regañón Labajo, “How to Narrate a War: Kati Horna’s Photography during the Spanish Civil War (1936–1939). Moving Across the Real and the Symbolic” -- 12. R. Hernández-Rodríguez, “‘It’s where she belongs, isn’t it?’ Lupe Vélez and Dolores del Río in Hollywood” -- 13. Renée M. Silverman, “A Double Exile: Crossing the Female Figure in Maruja Mallo’s Art. From Spain to America”.  aNomadic New Women: Exile and Border-Crossing between Spain and the Americas, Early to Mid-Twentieth Century examines how gender and sexuality, border-crossing and exile intersect in women’s intellectual and artistic practices during the volatile historical period of the first half of the twentieth century, in and around Spain and the Americas. Each of the twelve chapters in this highly interdisciplinary volume analyzes the combined impact of gender and sexual identity, and the traversing of particular national and world-regional boundaries, on creative work. Together and separately, the contributors push the limits of past and present research on exile and migration, displacement and nomadism to reveal how the complex interrelationships among gender, sexuality, and cultural production come under intense pressure by the crossing of borders. Renée M. Silverman is Associate Professor of Spanish, Florida International University, USA. She is author of Mapping the Landscape, Remapping the Text: Spanish Poetry from Antonio Machado’s Campos de Castilla to the First AvantGarde (1909–1925) (2014), and editor/co-editor of The Popular Avant-Garde (2010) and Mediterranean Modernism: Intercultural Exchange and Aesthetic Development (2016). Esther Sánchez-Pardo is Professor of English at Complutense University of Madrid, Spain. She is author of Cultures of the Death Drive (2003) and Mina Loy. Anthology (2009), editor of Poéticas Comparadas de Mujeres (2022), and coeditor of Women Poets and Myth in the 20th and 21st Centuries (2018) and Myth and Environmentalism (2023). 0aAmericaxHistory. 0aEuropexHistory. 0aWomenxHistory. 0aEmigration and immigration. 0aSex.14aHistory of the Americas.24aEuropean History.24aWomen's History / History of Gender.24aHuman Migration.24aGender Studies.1 aSilverman, Renée M.eeditor.4edt4http://id.loc.gov/vocabulary/relators/edt1 aSánchez-Pardo, Esther.eeditor.4edt4http://id.loc.gov/vocabulary/relators/edt2 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978303162481008iPrinted edition:z978303162483408iPrinted edition:z978303162484140uhttps://doi.org/10.1007/978-3-031-62482-7