02941nam a22005415i 4500001001800000003000900018005001700027007001500044008004100059020003700100024003500137050001400172072001600186072001500202072002300217072002000240100008900260245010600349250001800455264008200473300004600555336002600601337002600627338003600653347002400689505018800713520085600901650002801757650002001785650004001805650002001845650002901865650004601894650002601940650002901966650005801995650004202053650004502095710003402140773002602174776003602200776003602236776003602272856004602308912001402354912001402368999001702382978-981-97-7463-0DE-He21320251030113318.0cr nn 008mamaa241118s2024 si | s |||| 0|eng d a97898197746309978-981-97-7463-07 a10.1007/978-981-97-7463-02doi 4aGN625-635 7aJFC2bicssc 7a1F2bicssc 7aSOC0080202bisacsh 7aJBCCx1F2thema1 aRévész, Ágota.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut98769410aEconomy of Identities in Traditional Chinese Theatreh[electronic resource] /cby Ágota Révész. a1st ed. 2024. 1aSingapore :bSpringer Nature Singapore :bImprint: Palgrave Macmillan,c2024. aXXXIII, 226 p. 1 illus.bonline resource. atextbtxt2rdacontent acomputerbc2rdamedia aonline resourcebcr2rdacarrier atext filebPDF2rda0 aChapter 1: Xiqu and Cultural Identity -- Chapter 2: Mobility Dynamics -- Chapter 3: Narratives -- Chapter 4: The National Essence: Jingju -- Chapter 5: The Mother of All Xiqus: Kunqu. aThe book is intended to become a useful reference for theatre people who need “China knowledge”. Its central questions are: how is traditional Chinese theatre (“Chinese opera”, i.e. xiqu) embedded in contemporary Chinese society? What identities are created through theatre? And, most importantly: how are these identities related to one another to form a complex “economy of identities”? An insight is offered into the traditional Chinese theatre system composed of over three hundred theatre types vying for recognition in a complex relational network. Understanding how this “relationality” works might also shed light on the functioning of other fields in the current socio-cultural complex of China. Ágota RÉVÉSZ studied sinology and stage direction. She researches Chinese theatre, cultural diplomacy, narratives and media. 0aEthnologyxAsia.966900 0aCulture.959159 0aCulturexStudy and teaching.966082 0aTheater.966691 0aTheaterxHistory.966689 0aTheaterxProduction and direction.96669214aAsian Culture.96690224aCultural Studies.95874524aNational and Regional Theatre and Performance.98434424aContemporary Theatre and Performance.24aTheatre Direction and Production.9666972 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978981977462308iPrinted edition:z978981977464708iPrinted edition:z978981977465440uhttps://doi.org/10.1007/978-981-97-7463-0 aZDB-2-LCM aZDB-2-SXL c65036d65036