04256nam a22005655i 4500 978-3-031-66951-4 DE-He213 20251030114631.0 cr nn 008mamaa 241221s2024 sz | s |||| 0|eng d 9783031669514 978-3-031-66951-4 10.1007/978-3-031-66951-4 doi PN1600-3307.2 AP bicssc PER004000 bisacsh AT thema El Hassan, Azza. author. aut http://id.loc.gov/vocabulary/relators/aut 89302 The Afterlife of Palestinian Images [electronic resource] : Visual Remains and the Archive of Disappearance / by Azza El Hassan. 1st ed. 2024. Cham : Springer Nature Switzerland : Imprint: Palgrave Macmillan, 2024. XXIV, 180 p. 84 illus., 74 illus. in color. online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Palgrave Studies in Arab Cinema, 2731-4901 -- CHAPTER 1. INTRODUCTION. -- CHAPTER 2. ARCHIVE OF DISAPPEARANCE. -- CHAPTER 3. HANDS ON VISUAL REMAINS. -- CHAPTER 4. BEGINNINGS. -- CHAPTER 5. THE FOUND ARCHIVE OF HANI JAWHERIEH. -- CHAPTER 6. THE AFTERLIFE IMAGE BOX. -- CHAPTER 7. PLUNDERING THE FUTURE. -- CHAPTER 8. CAMERA REMAINS. -- CHAPTER 9. FILM RESTORATION OF REMAINS. -- CHAPTER 10. APPROPRIATION. -- CHAPTER 11. NARRATIVES OF A MISE EN SCÈNE. The Afterlife of Palestinian Images is a groundbreaking study of how colonial violence alters and changes visual objects - which in turn affects how a society and culture relates to its own images. Based on the practice-based creative methodology of Palestinian filmmaker and researcher Azza El Hassan, this book explores the re-use and re-appropriation of photos, film and media equipment that have survived looting and destruction, objects which become a constant reminder of what was and what has been lost. El Hassan goes beyond using these visual remains as simple evidence, demonstrating how artistic engagement can reconfigure them into new narratives and establish a renewed sense of cultural identity. While previous research has explored why colonial structures practice native archive plundering, as well as into how a culture reckons with the absence of archival records, this book uniquely addresses how plundered cultures relate to the actual remains of their archives. As a scholar and an artist, El Hassan reconciles a problematic past and present in the search for a new visual experience emerging out of the ruins, finding ways to move forward after destruction. Azza El Hassan is an award-winning filmmaker whose works include The Unbearable Presence of Asmahan (2014), Kings & Extras (2004), and News Time (2001). She is the founder of The Void Project (thevoidproject.org), an artistic exploration of the effect of looting and destruction of Palestinian visual archives on the formation of a modern Palestinian visual narrative. She received her Ph.D. from Sheffield Hallam University, UK, and is a visiting professor of practice at the Doha Institute for Graduate Studies in Qatar. Motion pictures. 58496 Art, Modern 21st century. 66083 Communication. 59615 Middle East Politics and government. 69672 Global Film and TV. 69726 Contemporary Art. 66085 Media and Communication. Middle Eastern Politics. 69673 SpringerLink (Online service) Springer Nature eBook Printed edition: 9783031669507 Printed edition: 9783031669521 Printed edition: 9783031669538 Palgrave Studies in Arab Cinema, 2731-4901 71172 https://doi.org/10.1007/978-3-031-66951-4 ZDB-2-LCM ZDB-2-SXL 65910 65910