04018nam a22005175i 4500001001800000003000900018005001700027007001500044008004100059020003700100024003500137050001800172072001500190072002300205072001400228100008500242245013600327250001800463264007900481300006600560336002600626337002600652338003600678347002400714490004800738505042600786520170801212650002802920650003802948650002602986650004903012650003103061650002903092650002903121650003603150710003403186773002603220776003603246776003603282776003603318830005503354856004603409912001403455912001403469999001703483978-3-031-66951-4DE-He21320251030114631.0cr nn 008mamaa241221s2024    sz |    s    |||| 0|eng d  a97830316695149978-3-031-66951-47 a10.1007/978-3-031-66951-42doi 4aPN1600-3307.2 7aAP2bicssc 7aPER0040002bisacsh 7aAT2thema1 aEl Hassan, Azza.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut98930214aThe Afterlife of Palestinian Imagesh[electronic resource] :bVisual Remains and the Archive of Disappearance /cby Azza El Hassan.  a1st ed. 2024. 1aCham :bSpringer Nature Switzerland :bImprint: Palgrave Macmillan,c2024.  aXXIV, 180 p. 84 illus., 74 illus. in color.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda1 aPalgrave Studies in Arab Cinema,x2731-49010 a -- CHAPTER 1. INTRODUCTION.  -- CHAPTER 2. ARCHIVE OF DISAPPEARANCE.  -- CHAPTER 3. HANDS ON VISUAL REMAINS.  -- CHAPTER 4. BEGINNINGS.  -- CHAPTER 5. THE FOUND ARCHIVE OF HANI JAWHERIEH.  -- CHAPTER 6. THE AFTERLIFE IMAGE BOX.  -- CHAPTER 7. PLUNDERING THE FUTURE.  -- CHAPTER 8. CAMERA REMAINS.  -- CHAPTER 9. FILM RESTORATION OF REMAINS.  -- CHAPTER 10. APPROPRIATION.  -- CHAPTER 11. NARRATIVES OF A MISE EN SCÈNE.  aThe Afterlife of Palestinian Images is a groundbreaking study of how colonial violence alters and changes visual objects - which in turn affects how a society and culture relates to its own images. Based on the practice-based creative methodology of Palestinian filmmaker and researcher Azza El Hassan, this book explores the re-use and re-appropriation of photos, film and media equipment that have survived looting and destruction, objects which become a constant reminder of what was and what has been lost. El Hassan goes beyond using these visual remains as simple evidence, demonstrating how artistic engagement can reconfigure them into new narratives and establish a renewed sense of cultural identity. While previous research has explored why colonial structures practice native archive plundering, as well as into how a culture reckons with the absence of archival records, this book uniquely addresses how plundered cultures relate to the actual remains of their archives. As a scholar and an artist, El Hassan reconciles a problematic past and present in the search for a new visual experience emerging out of the ruins, finding ways to move forward after destruction. Azza El Hassan is an award-winning filmmaker whose works include The Unbearable Presence of Asmahan (2014), Kings & Extras (2004), and News Time (2001). She is the founder of The Void Project (thevoidproject.org), an artistic exploration of the effect of looting and destruction of Palestinian visual archives on the formation of a modern Palestinian visual narrative. She received her Ph.D. from Sheffield Hallam University, UK, and is a visiting professor of practice at the Doha Institute for Graduate Studies in Qatar. 0aMotion pictures.958496 0aArt, Modernx21st century.966083 0aCommunication.959615 0aMiddle EastxPolitics and government.96967214aGlobal Film and TV.96972624aContemporary Art.96608524aMedia and Communication.24aMiddle Eastern Politics.9696732 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978303166950708iPrinted edition:z978303166952108iPrinted edition:z9783031669538 0aPalgrave Studies in Arab Cinema,x2731-490197117240uhttps://doi.org/10.1007/978-3-031-66951-4  aZDB-2-LCM  aZDB-2-SXL  c65910d65910