02804nam a22004815i 4500001001800000003000900018005001700027007001500044008004100059020003700100024003500137050001600172072001500188072002300203072001500226100008300241245011300324250001800437264007900455300003300534336002600567337002600593338003600619347002400655505023800679520092700917650002901844650002801873650002001901650002201921650004201943650004101985650003702026710003402063773002602097776003602123776003602159776003602195856004602231912001402277912001402291999001702305978-3-031-69888-0DE-He21320251030114646.0cr nn 008mamaa241228s2024    sz |    s    |||| 0|eng d  a97830316988809978-3-031-69888-07 a10.1007/978-3-031-69888-02doi 4aPN2181-2193 7aAN2bicssc 7aPER0110002bisacsh 7aATD2thema1 aWhite, Gareth.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut98974810aAudience Participation in Theatreh[electronic resource] :bEvolutions of the Invitation /cby Gareth White.  a2nd ed. 2024. 1aCham :bSpringer Nature Switzerland :bImprint: Palgrave Macmillan,c2024.  aXI, 257 p.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda0 aIntroduction. -Chapter1 -- Process and Procedure. -Chapter2 -- Risk and Rational Action. - Chapter3.-Irrational Interactions. -chapter 4.-Accepting the Invitation. -Chapter 5.-Evolutions of the invitation. -Conclusion. -Bibliography.  aThis new textbook edition of Audience Participation in Theatre: Evolutions of the Invitation situates the text in evolving theory, emerging practice, and changing contexts, re-establishing itself as the key reference point in its field. An updated review of the literature and a new chapter develops its original argument with respect to historical change in how audiences and their expectations are constituted, and changes to how participation is invited, mediated and valued. Gareth White is Reader in Theatre and Performance at Royal Central School of Speech and Drama, UK. His publications include Applied Theatre: Aesthetics, exploring the idea of the aesthetic in performance practice with social aims, and Meaning in the Midst of Performance: Contradictions of Participation, examining how performance that situates the audience participant within difficult or impossible dilemmas creates complex embodied meaning. 0aTheaterxHistory.966689 0aPerforming arts.967607 0aTheater.966691 0aAudiences.96888014aContemporary Theatre and Performance.24aTheatre and Performance Arts.96761124aFan and Audience Studies.9688822 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978303169887308iPrinted edition:z978303169889708iPrinted edition:z978303169890340uhttps://doi.org/10.1007/978-3-031-69888-0  aZDB-2-SLS  aZDB-2-SXS  c66130d66130