03945nam a22005055i 4500001001800000003000900018005001700027007001500044008004100059020003700100024003500137050001400172072001700186072002300203072001500226072001600241100008400257245008600341250001800427264007900445300004400524336002600568337002600594338003600620347002400656505040300680520184701083650003102930650003502961650002102996650003303017650002803050650003503078650003103113650003503144710003403179773002603213776003603239776003603275776003603311856004603347912001403393912001503407999001703422978-3-031-65846-4DE-He21320251030114940.0cr nn 008mamaa250208s2024    sz |    s    |||| 0|eng d  a97830316584649978-3-031-65846-47 a10.1007/978-3-031-65846-42doi 4aBM600-645 7aHRJT2bicssc 7aREL0400902bisacsh 7aQRJ2thema 7aQRVG2thema1 aPimentel, Dror.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut99071410aAesth-ethicsh[electronic resource] :bOf Hospitality in Art /cby Dror Pimentel.  a1st ed. 2024. 1aCham :bSpringer Nature Switzerland :bImprint: Palgrave Macmillan,c2024.  aXIV, 294 p. 10 illus.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda0 aChapter 1. Introduction: The Work of the Artwork -- Chapter 2. Of Hospitality: From Ethics to Aesth-ethics -- Chapter 3. Rilke’s Testimony -- Chapter 4. Specters of Beuys -- Chapter 5. The Homeland of the Unhomely -- Chapter 6. My Name Is Not Odradek -- Chapter 7. Who by Fire -- Chapter 8. The Haunted Signifier -- Chapter 9. The Gift of Violence -- Chapter 10. Conclusion: Towards Aesth-ethics.  aThe question of hospitality is the most pressing question in contemporary thought: How can we host that which is utterly Other, that which resists all conceptualization, and thus disrupts the proper course of thought? In the current book, the discussion of hospitality is given a new conceptualization, and extended to the field of aesthetics: the event of hospitality does not occur in the face-to-face encounter with the other person, as Emmanual Levinas conceived of it, but rather in the encounter with the work of art itself. Writing about the event of hospitality—as it is eventuated in art—involves subverting the traditional precedence of theory over practice. This subversion is also evident in the indifference to traditional distinctions, such as those between poetry and visual art; modern art and classical art; international art and local art. Moreover, most of the artworks considered throughout are hybrid in character: they are suspended in the space between the visual and the verbal, whether they involve the verbal representation of a visual object (as in Rilke’s poem “Archaic Torso of Apollo”), or a visual representation of a verbal object (as in Anselm Kiefer’s work “Your Golden Hair Margarete”). The consideration of these and other works come together to give rise to a novel and original discourse on art that is termed “Aesth-ethics,” and which is presented for the first time in this volume. Prof. Dror Pimentel lectures in the department of Visual and Material Culture and in the MA Program of Policy and Theory of the Arts, Bezalel Academy of Arts and Design, Jerusalem. Pimentel’s book Aesthetics (2014) and his translation of Heidegger’s “Letter on Humanism" (2018) were published in Hebrew. His book Heidegger with Derrida: Being Written was published by Palgrave Macmillan (2019). 0aJudaismxDoctrines.975657 0aContinental Philosophy.966476 0aTheology.969781 0aReligionxPhilosophy.96855314aJewish Theology.97565824aContinental Philosophy.96647624aChristian Theology.96978224aPhilosophy of Religion.9685542 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978303165845708iPrinted edition:z978303165847108iPrinted edition:z978303165848840uhttps://doi.org/10.1007/978-3-031-65846-4  aZDB-2-REP  aZDB-2-SXPR  c66665d66665