03628nam a22004575i 4500001001800000003000900018005001700027007001500044008004100059020001800100024003500118050000800153072001600161072002300177072001600200100008500216245013400301250001800435264007900453300003200532336002600564337002600590338003600616347002400652505082700676520125101503650003502754650002802789650002102817650002202838650002602860650002802886650002102914650002102935710003402956773002602990776003603016776003603052776003603088856004603124978-3-031-57555-6DE-He21320251030114942.0cr nn 008mamaa250215s2024    sz |    s    |||| 0|eng d  a97830315755567 a10.1007/978-3-031-57555-62doi 4aB65 7aHPS2bicssc 7aPHI0190002bisacsh 7aQDTS2thema1 aFischer, Norman Arthur.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut10aMarxism and the Moral Basis of Arth[electronic resource] :bLukács and German Idealist Art Theory /cby Norman Arthur Fischer.  a1st ed. 2024. 1aCham :bSpringer Nature Switzerland :bImprint: Palgrave Macmillan,c2024.  aX, 284 p.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda0 aChapter 1 Introduction -- Part I Georg Lukács’ Concept of Links between Ethics and Aesthetics in his 1933-1940 concept of Realistic Historical Novels -- Chapter 2 The Hegelian Ethical and Aesthetic Context of Lukács’ Concept of Historical and Social Aesthetic Realism -- Chapter 3 The Hegelian and Schillerian Context of Lukács’ Concept of Aesthetic Realism and Historical Novels about Class -- Chapter 4 The Hegelian Context of Lukács’ Concept of Aesthetic Realism and Historical Novels about Tyranny and Class -- Part II Romantic Marxist Art Theory’s use of Nineteenth Century Idealistic German Art Theory, Particularly Hegel’s and Schiller’s -- Chapter 5 Lucien Goldmann and Romantic Marxist Realistic Aesthetics -- Chapter 6 Herbert Marcuse and Romantic Marxist Negation and Formalist Aesthetics.  aThis book develops a moral Marxist aesthetics based on the work of Georg Lukács, Lucien Goldmann and Herbert Marcuse, and grounded in the aesthetic theories of German Idealist philosophers such as Hegel and Schiller. This moral-aesthetics takes three forms. The first is social and historical realism, as in Lukács and Goldmann. This is an aesthetics which fundamentally places the work of art within reality, particularly social and historical reality. The second aesthetics is utopian negation theory, and the third is formalism. The book pays special attention to Lukács’ concept of realistic historical novels, which he develops through the analysis of historical novels by Walter Scott, Honore de Balzac and Heinrich Mann. This theory of aesthetic realism is, as the book argues, grounded in Lukács’ reading of Hegel. The book concludes by offering fresh interpretations of the moral basis of Goldmann’s romantic realism in The Hidden God, and Marcuse’s emphasis on art as form and utopiannegation of reality in The Aesthetic Dimension. Norman Arthur Fischer was Professor of Philosophy from Kent State University until his retirement. Since then, he has been active as a public philosopher in his local community in Vermont. 0aPolitical sciencexPhilosophy. 0aContinental Philosophy. 0aCritical theory. 0aIdealism, German.14aPolitical Philosophy.24aContinental Philosophy.24aCritical Theory.24aGerman Idealism.2 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978303157554908iPrinted edition:z978303157556308iPrinted edition:z978303157557040uhttps://doi.org/10.1007/978-3-031-57555-6