03927nam a22004935i 4500001001800000003000900018005001700027007001500044008004100059020001800100024003500118050001400153072001600167072001600183072002300199072001500222072001600237100007700253245014600330250001800476264007900494300004400573336002600617337002600643338003600669347002400705490003800729505094900767520125601716650001302972650002202985650001803007650002603025650002103051650003203072700007703104710003403181773002603215776003603241776003603277776003603313830003803349856004603387978-3-031-76374-8DE-He21320251030114942.0cr nn 008mamaa250215s2024 sz | s |||| 0|eng d a97830317637487 a10.1007/978-3-031-76374-82doi 4aHM621-656 7aJHB2bicssc 7aJFC2bicssc 7aSOC0260002bisacsh 7aJHB2thema 7aJBCC2thema1 aKlein, Ricardo.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut10aCreative Cities, Tourism and Street Art in a Global Frameh[electronic resource] :bThe City as Discovery /cby Ricardo Klein, Caitlin Bruce. a1st ed. 2024. 1aCham :bSpringer Nature Switzerland :bImprint: Palgrave Macmillan,c2024. aXIV, 274 p. 76 illus.bonline resource. atextbtxt2rdacontent acomputerbc2rdamedia aonline resourcebcr2rdacarrier atext filebPDF2rda1 aSociology of the Arts,x2569-14060 a1. Graffiti, Street Art, Tourism and Creative Cities in a Global Frame: The City as Discovery -- 2. Porto. Tensions between urban renewal and the use of street art as a tourist attraction -- 3. Cleveland: Philanthropic Tourism or Community Counter Reading: Race and Place in Rust Belt Rediscovery -- 4. Paris. Paris/Aubervilliers. In Situ Art Festival: Urban Art as Transitional Form for Urban Development -- 5. Buenos Aires. Shared imaginaries, tourism, and the creative city -- 6. Barcelona. The constitution of alternative tourism and the diversification of street art -- 7. Pittsburgh. Carrie Furnaces Urban Art Tour: Connecting Graffiti Culture and Industrial Patrimony through Aesthetics of Authenticity in Pennsylvania -- 8. Bogotá. Visual Noise and Activist Pedagogy through Street Art -- 9. Montevideo. A cultural city, receptive to urban art and tourism -- 10. Tensions, challenges, and future perspectives on the city as discovery. aThis book explores the use of street art tourism in eight cities: Barcelona, Paris, Porto, Pittsburgh, Cleveland, Montevideo, Bogota and Buenos Aires. While street art and graffiti are perpetually in the process of being discovered by scholars and cultural programmers as a practice full of potential, these contributions offer context and grounding and ask how, in a global setting, such art is used in tandem with tourism practices to interpret, codify, and make value out of space through institutional and community networks. Ricardo Klein is a Sociologist from the University of the Republic, Uruguay, and holds a PhD in Cultural Management and Heritage from the University of Barcelona. He is a Senior Lecturer at the Department of Sociology and Social Anthropology at the University of Valencia, Spain, and member of the Center for Studies on Culture, Power and Identities (UV). Caitlin F. Bruce holds a PhD in Communication from Northwestern University, USA. She is an Associate Professor in the Department of Communication at the University of Pittsburgh and affiliate faculty with the Center for Latin American Studies, the Cultural Studies Center, and the Women's, Gender, and Sexuality Studies Program at the University of Pittsburgh, USA. 0aCulture. 0aSociology, Urban. 0aArchitecture.14aSociology of Culture.24aUrban Sociology.24aCities, Countries, Regions.1 aBruce, Caitlin.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut2 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978303176373108iPrinted edition:z978303176375508iPrinted edition:z9783031763762 0aSociology of the Arts,x2569-140640uhttps://doi.org/10.1007/978-3-031-76374-8