03454nam a22005775i 4500001001800000003000900018005001700027007001500044008004100059020003700100024003500137050001600172072001500188072001500203072002300218072001800241100009000259245016400349250001800513264007200531300004400603336002600647337002600673338003600699347002400735490007700759505019400836520116101030650003202191650003502223650003602258650001602294650002802310650002802338650002002366650002902386650003702415650002702452650002802479650002602507710003402533773002602567776003602593776003602629776003602665830008402701856004602785912001402831912001402845999001702859978-981-97-9152-1DE-He21320251030114943.0cr nn 008mamaa250218s2024    si |    s    |||| 0|eng d  a97898197915219978-981-97-9152-17 a10.1007/978-981-97-9152-12doi 4aPJ305.2-489 7aDS2bicssc 7a1F2bicssc 7aLIT0080002bisacsh 7aDSx1F2thema1 aSwanpitak, Ruttapond.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut99082210aSubjectivity and Sexuality in Contemporary Chinese Feminist Writingh[electronic resource] :bRepresentations of Transgressive Women /cby Ruttapond Swanpitak.  a1st ed. 2024. 1aSingapore :bSpringer Nature Singapore :bImprint: Springer,c2024.  aVIII, 195 p. 1 illus.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda1 aChinese Culture, Globality, Connectivity and Modernity,x2662-9763 ;v140 aChapter 1. Introduction -- Chapter 2. Female Sexuality, Subjectivity and Transgression in Context -- Chapter 3. Wang Anyi’s Fiction: Self-Perception, Sexual Awakening and Social Morality.  aThis book explores representations of female sexuality and subjectivity in contemporary Chinese fiction by three women writers, published from 1986 to 2000, from the perspective of poststructuralist feminism. It discusses the representative works of authors, Wang Anyi, Tie Ning and Chi Li, who are well known in the Chinese literary field. However, their works have not, to date, been analysed through the poststructuralist feminism’s notions of subjectivity, femininity and transgression. This book, then, provides detailed analysis of each writer and draws comparisons between their works to provide an extended consideration of female sexuality and subjectivity within post-Mao Chinese fiction. In this respect, this book not only offers fresh insights into the three authors’ fiction but also contributes to the feminist study of Chinese women’s writing. Additionally, the research contributes to a better understanding of contemporary Chinese culture in relation to patriarchy, misogyny, feminism, differences and resistance. It is relevant to scholars in the fields of China studies, Chinese literature, feminist literature and gender studies. 0aOriental literature.966468 0aLiteraturexPhilosophy.966322 0aFeminism and literature.966323 0aSex.966477 0aAsiaxLanguages.971942 0aEthnologyxAsia.966900 0aCulture.95915914aAsian Literature.96646924aFeminist Literary Theory.96632624aGender Studies.96647824aAsian Languages.97194624aAsian Culture.9669022 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978981979151408iPrinted edition:z978981979153808iPrinted edition:z9789819791545 0aChinese Culture, Globality, Connectivity and Modernity,x2662-9763 ;v1499067440uhttps://doi.org/10.1007/978-981-97-9152-1  aZDB-2-SLS  aZDB-2-SXS  c66719d66719