03353nam a22005295i 4500001001800000003000900018005001700027007001500044008004100059020003700100024003500137050001500172072001500187072002300202072001400225100008700239245012000326250001800446264008200464300003400546336002600580337002600606338003600632347002400668490004200692505029400734520124701028650003602275650002002311650001802331650002802349650002002377650002602397650003302423650001802456650004102474710003402515773002602549776003602575776003602611776003602647830004902683856004602732912001402778912001402792999001702806978-981-96-1690-9DE-He21320251030114949.0cr nn 008mamaa250301s2024    si |    s    |||| 0|eng d  a97898196169099978-981-96-1690-97 a10.1007/978-981-96-1690-92doi 4aQ175.4-.55 7aJF2bicssc 7aSOC0000002bisacsh 7aJB2thema1 aEskildsen, Anders.eauthor.4aut4http://id.loc.gov/vocabulary/relators/aut99100010aSoundpaintingh[electronic resource] :bCollaborative Creativity in Conducted Improvisation /cby Anders Eskildsen.  a1st ed. 2024. 1aSingapore :bSpringer Nature Singapore :bImprint: Palgrave Macmillan,c2024.  aVIII, 83 p.bonline resource.  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier  atext filebPDF2rda1 aPalgrave Studies in Sound,x2633-58830 aA sign language for conducted improvisation -- Language structure: Foundations of meta-agentic communication -- What to do and how to do it: Fostering creativity with constraints -- Cocreation: Distributing agency in interaction -- Change, freeze, develop: Organization and transformation.  a“I have long awaited a book which addresses using signing as the means to structure an improvisation-based performance into composition. Anders Eskildsen’s book is a fantastic in-depth study of Soundpainting. He explores its history, structures, its usages and how Soundpainting fits into today’s world of the performing arts. Bravo Anders!” --Walter Thompson, composer/pianist, and author of Soundpainting Workbooks 1-4, Soundpainting: A Language of Creativity For Music Educators (co-authored with Mark Harris), The Soundpainting Dictionary This book explores Soundpainting, a multidisciplinary sign language for live composition and conducted improvisation, highlighting its role in facilitating creative, social interactions in music and other performative arts. Examining the meaning of Soundpainting’s syntax, the connection between constraints and creativity in hand signs, and the means for dynamic distribution and transformation of agency within ensembles, the book provides insight into the nature of cocreation and the organization of creative processes. Anders Eskildsen is a certified soundpainter and an assistant professor of music at Aalborg University, Denmark. He holds a PhD in musicology from Aarhus University. 0aSciencexSocial aspects.969032 0aCulture.959159 0aMusic.958497 0aPerforming arts.967607 0aTheater.96669114aSound Studies.98042824aSociology of Culture.96898524aMusic.95849724aTheatre and Performance Arts.9676112 aSpringerLink (Online service)0 tSpringer Nature eBook08iPrinted edition:z978981961689308iPrinted edition:z978981961691608iPrinted edition:z9789819616923 0aPalgrave Studies in Sound,x2633-588398425140uhttps://doi.org/10.1007/978-981-96-1690-9  aZDB-2-SLS  aZDB-2-SXS  c66818d66818