03243cam a2200553Ma 45000010014000000030008000140050017000220060019000390070015000580080041000730400026001140200040001400200015001800200043001950200040002380200042002780200039003200240031003590350022003900350024004120500015004360720025004510720025004760720025005010720015005261000025005412450143005662600036007093000028007453360026007733370026007993380036008254900056008615201073009175880047019906500055020376500047020926500036021396500039021756500036022146500046022506500056022966500068023528300066024208560072024868560102025589420012026609990017026729781032676937FlBoTFG20251030122304.0m        d        cr |n|||||||||241012s2025    nyu     o     ||| 0 eng d  aOCoLC-PbengcOCoLC-P  a9781032676937q(Taylor and Francis)  a1032676930  a9781040264867q(electronic bk. : EPUB)  a1040264867q(electronic bk. : EPUB)  a9781040264829q(electronic bk. : PDF)  a1040264824q(electronic bk. : PDF)7 a10.4324/97810326769372doi  a(OCoLC)1463289548  a(OCoLC-P)1463289548 4aPN1590.T44 7aPERx0000002bisacsh 7aPERx0110002bisacsh 7aPERx0110202bisacsh 7aAN2bicssc1 aFuoco, Ester.99601210aDeviations in Contemporary Theatrical Anthropologyh[electronic resource] :bNew Myths and Performative Rituals between XR, Robots and AI.  aNew York, USAbRoutledgec2025.  a1 online resource (114)  atextbtxt2rdacontent  acomputerbc2rdamedia  aonline resourcebcr2rdacarrier1 aRoutledge advances in theatre & performance studies  aThis book refers to the artistic deviation from dominant goals in a social system or from means considered legitimate in that system. This book explores a "New Humanism" in the performing arts, unique in the sense of human's ability to co-create and communicate beyond spatial and temporal boundaries, wars, and pandemics, through artistic deviations carried out by machinesand through the Extended Reality. Through the lens of anthropology and aesthetics, this study selects useful case studies to demonstrate this phenomenon of performative symphonises, in which the experimentation of AI-driven creativity and the new human-robot interaction (HRI) lead to philosophical inquiries about the nature of creativity, intelligence, and the definition of art itself. These shifts in paradigms invite us to reconsider established concepts and explore new perspectives on the relationship between technology, art, and the human experience. This book will be of great interest to students and scholars in theatre and performance studies, anthropology, and digital humanities.  aOCLC-licensed vendor bibliographic record. 0aPerforming artsxTechnological innovations.996013 0aTheaterxTechnological innovations.996014 0aTechnology and the arts.996015 0aHuman-computer interaction.964854 0aArtificial intelligence.958441 7aPERFORMING ARTS / General2bisacsh992357 7aPERFORMING ARTS / Theater / General2bisacsh992358 7aPERFORMING ARTS / Theater / History & Criticism2bisacsh994058 0aRoutledge advances in theatre and performance studies.993275403Taylor & Francisuhttps://www.taylorfrancis.com/books/9781032676937423OCLC metadata license agreementuhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf  cE-Books  c68238d68238