03514cam a22005538i 4500 9781032657844 FlBoTFG 20251030122309.0 m o d cr ||||||||||| 250224s2025 enk ob 001 0 eng OCoLC-P eng rda OCoLC-P 9781032657844 (ebook) 1032657847 9781040355220 (electronic bk. : EPUB) 1040355226 (electronic bk. : EPUB) 9781040355206 (electronic bk. : PDF) 104035520X (electronic bk. : PDF) 9781032657806 (hardback) 9781032657820 (paperback) 10.4324/9781032657844 doi (OCoLC)1501647505 (OCoLC-P)1501647505 HM742 JFDT bicssc SOC052000 bisacsh A bicssc H bicssc JFCA bicssc PER010040 bisacsh SOC022000 bisacsh Rustad, Gry C., author. 96319 Social media television and distributional aesthetics / Gry C. Rustad. Abingdon, Oxon ; New York, NY : Routledge, 2025. 1 online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier Routledge focus on television studies "Social Media Television and Distributional Aesthetics explores this distinct fictional form that merges the genres, structures and affordances of television with those of social media, and what it entails for contemporary television and media culture, and for our experience of new and old media in everyday life. Centred around five key case studies - Skam, Lik meg, Dead Girls Detective Agency, Content and Eva.Stories - the book offers insight into how different social media platforms facilitate distinct aesthetics and content; transnational aspects of social media television; and how different production cultures and industries operate in its production. This analysis extrapolated out into broader principles and theoretical arguments that will help scholars working on a wide variety of questions of television and social media, digitalization, technology, convergence, media aesthetics, production cultures, audience cultures and globalization in the future. Developing new theoretical perspectives to understand what social media television is and can be and creating new methodological frameworks to analyze television and new media as an aesthetic experience, the author proposes distributional aesthetic as the main analytical framework arguing that distribution can be understood as an aesthetic form defined as a situated aesthetic experience in time and space. This book will be relevant for scholars, instructors, students and practitioners working within television studies, social media studies, media aesthetics, and visual and digital culture"-- Provided by publisher. OCLC-licensed vendor bibliographic record. Social media and television. 96320 Routledge focus on television studies. 96321 Taylor & Francis https://www.taylorfrancis.com/books/9781032657844 OCLC metadata license agreement http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf E-Books 68336 68336