07917nam a2200781 i 45000010014000000030004000140050017000180060019000350070015000540080041000690200025001100200024001350200025001590200027001840240035002110350025002460350022002710400040002930500034003330720017003670720023003841000026004072450103004332640098005363000071006343360021007053370026007263380032007524900027007844900034008115000043008455040041008885050337009295050221012665050155014875050238016425050207018805050262020875050159023495050151025085050376026595050184030355050113032195050272033325050241036045050209038455050256040545050217043105050189045275050117047165060075048335200833049085210228057415300029059695380036059985380078060345450581061125880055066936500022067486500045067706500051068156500042068667100054069087760049069628300031070118300034070428560059070769780750352123IOP20251030124828.0m    eo  d        cr cn |||m|||a240501s2024    enka   fob    000 0 eng d  a9780750352123qebook  a9780750352116qmobi  z9780750352109qprint  z9780750352130qmyPrint7 a10.1088/978-0-7503-5212-32doi  a(CaBNVSL)thg00083931  a(OCoLC)1432611971  aCaBNVSLbengerdacCaBNVSLdCaBNVSL 4aQC225.15b.Z357 2024eb vol. 1 7aPHDS2bicssc 7aSCI0010002bisacsh1 aZain, Samya,eauthor.14aThe physics of sound and music.nVolume 1,pTextbook :ba complete course text /cSamya Bano Zain. 1aBristol [England] (Temple Circus, Temple Way, Bristol BS1 6HG, UK) :bIOP Publishing,c[2024]  a1 online resource (various pagings) :billustrations (some color).  atext2rdacontent  aelectronic2isbdmedia  aonline resource2rdacarrier1 a[IOP release $release]1 aIOP ebooks. [2024 collection]  a"Version: 20240401"--Title page verso.  aIncludes bibliographical references.  apart I. Introduction. 1. Introduction -- 1.1. The scientific method -- 1.2. Units -- 1.3. The International System of Units (SI units) -- 1.4. A few important concepts -- 1.5. A quick review of vector and scalar quantities -- 1.6. Distance versus displacement -- 1.7. Speed versus velocity -- 1.8. Graphical representation of motion8 a2. Sound, music, and noise -- 2.1. What makes a sound either music or noise? -- 2.2. Some history of the science of sound -- 2.3. How does it all work? -- 2.4. The properties of traveling waves -- 2.5. What is sound?8 a3. Music, history, and culture -- 3.1. Music and life -- 3.2. Historic eras of music -- 3.3. Music and religion -- 3.4. Classes of musical instruments8 apart II. Sound production. 4. Tension and deformations in a string -- 4.1. Energy and force -- 4.2. Historic ideas about motion -- 4.3. Newton's laws of dynamics -- 4.4. Categories of forces -- 4.5. Mass versus weight -- 4.6. Tension8 a5. Vibrating systems -- 5.1. Simple harmonic motion -- 5.2. Standing waves -- 5.3. The reflection of waves -- 5.4. Waves in stringed instruments -- 5.5. Wave interaction : superposition and interference8 a6. Damping and resonance in musical instruments -- 6.1. Damping in oscillators -- 6.2. Resonance -- 6.3. Ways to drive a string at one of its resonances -- 6.4. Understanding resonance -- 6.5. Sympathetic vibrations -- 6.6. Resonances in musical instruments8 apart III. Sound propagation. 7. Sound propagation -- 7.1. Traveling waves -- 7.2. Periodic waves -- 7.3. The speed of sound waves -- 7.4. Sound absorption8 a8. Factors that impact sound propagation -- 8.1. Huygen's principle -- 8.2. The refraction of waves -- 8.3. Diffraction -- 8.4. The Doppler effect8 apart IV. Sound reception. 9. Sound power and sound intensity -- 9.1. Power and pressure -- 9.2. Sound waves -- 9.3. The intensity of sound waves (I) -- 9.4. Decibels -- 9.5. The speed of sound versus particle velocity -- 9.6. Sound power (W) -- 9.7. Sound pressure level (dB SPL) -- 9.8. Summary -- 9.9. The sound power level (dB SWL) -- 9.10. Loudness and loudness level8 a10. The human factor -- 10.1. The ranges of human hearing and sight -- 10.2. Speech production in humans -- 10.3. Auditory systems -- 10.4. Critical bands -- 10.5. Bone conduction8 a11. Psychoacoustics -- 11.1. Hearing in humans -- 11.2. The effect of noise on humans -- 11.3. Noise control8 a12. The acoustics of rooms -- 12.1. Sound propagation -- 12.2. The precedence effect -- 12.3. Room acoustics -- 12.4. Problems in acoustical design -- 12.5. The criteria for good acoustics -- 12.6. Designing spaces -- 12.7. Loudspeakers -- 12.8. Outdoor sound systems8 apart V. Of sound and music. 13. Musical tones, pitch, timbre, and vibrato -- 13.1. Musical tones and pitch -- 13.2. Pitch perception theories -- 13.3. Vibrato -- 13.4. The just-noticeable difference (JND) -- 13.5. Timbre or tone quality8 a14. A musician's graph paper and musical scales -- 14.1. Logarithms -- 14.2. The musical stave or staff -- 14.3. Musical scales -- 14.4. Musical intervals -- 14.5. Various terms that are important to know8 apart VI. Musical instruments. 15. Stringed instruments -- 15.1. The history of stringed instruments -- 15.2. The introduction of energy into a string instrument -- 15.3. Tuning -- 15.4. The guitar -- 15.5. The piano -- 15.6. Bowed stringed instruments8 a16. Percussion instruments -- 16.1. Rhythms in everyday life -- 16.2. Various percussion instruments -- 16.3. Vibrations in a bar -- 16.4. Vibrations in plates and membranes -- 16.5. Membranophones -- 16.6. Bells8 a17. Wind instruments -- 17.1. Wind instruments -- 17.2. The instruments of the woodwind family -- 17.3. The pipe organ -- 17.4. The instruments of the brass family -- 17.5. The bagpipe8 apart VII. Appendix. Appendix A. Review of mathematics -- Appendix B. Unit conversions -- Appendix C. Logarithms.  aFull-text restricted to subscribers or individual document purchasers.3 aThis first volume of The Physics of Sound and Music: A complete course text is a textbook providing a complete resource to accompany undergraduate courses on the physics of sound and music, and is supplemented by the lab manual in volume two of this two-volume set. This textbook is written in an accessible, clear and conversational style with the intent of engaging students and teaching physics without appearing overwhelming. The book starts with an introduction to sound and music, then discusses various aspects of sound, from how it is produced to how it propagates and how we hear it. The remainder of the book focuses on the various aspects of music, from musical tones to musical instruments, and concludes with a discussion of how sound can be recorded for replay. Problems and solutions are provided in each chapter.  aThis is a core text for one-semester, undergraduate (100-level) courses on the physics of sound or music. It will be particularly useful for courses aimed at non-physics majors with little experience of algebra or calculus.  aAlso available in print.  aMode of access: World Wide Web.  aSystem requirements: Adobe Acrobat Reader, EPUB reader, or Kindle reader.  aSamya Zain is a Professor of Physics at Susquehanna University, USA, where she was awarded the Distinguished Teaching Award in 2016. She has been a member of the BaBar scientific research collaboration at SLAC (Stanford Linear Accelerator Center) at Stanford University, California, and the ATLAS collaboration at CERN, Geneva. Her previous books Techniques of Classical Mechanics: From Lagrangian to Newtonian Mechanics and Thermodynamics and Statistical Mechanics: An Introduction for Physicists and Engineers were published by IOP Publishing in 2019 and 2021, respectively.  aTitle from PDF title page (viewed on May 1, 2024).  aSoundvTextbooks.  aMusicxAcoustics and physicsvTextbooks. 7aWave mechanics (vibration & acoustics)2bicssc 7aSCIENCE / Acoustics & Sound.2bisacsh2 aInstitute of Physics (Great Britain),epublisher. 8iPrint version:z9780750352109z9780750352130 0aIOP (Series).pRelease 24.  aIOP ebooks.p2024 collection.4 uhttps://iopscience.iop.org/book/mono/978-0-7503-5212-3