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On Becoming a Rock Musician / H. Stith Bennett.

By: Contributor(s): Material type: TextTextLanguage: English Series: Legacy EditionsPublisher: New York, NY : Columbia University Press, [2017]Copyright date: ©2017Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780231544405
Subject(s): LOC classification:
  • ML3534 .B46 2017eb
Online resources:
Contents:
Frontmatter -- Contents -- Foreword to the Legacy Edition -- Preface -- A Guide for the Reader -- Acknowledgments -- Part I. Group Dynamics -- 1. Introduction -- 2. Group Definition and Redefinition -- 2. Group Definition and Redefinition -- Part II. Rock Ecology -- 3. Instruments and “the Outside World” -- 4. Equipment and the Band Van -- 5. Gigs -- Part III. Mastering the Technological Component -- 6. Technology and The Music -- 7. The Realities of Practice -- Part IV. Performance: Aesthetics and the Technological Imperative -- 8. Playing -- 9. “Other People’s Music” -- Afterword -- Appendix -- Notes -- Bibliography -- Index
Title is part of eBook package: CUP eBook Package 2016-2018Title is part of eBook package: CUP eBook Package 2017Title is part of eBook package: CUP eBook-Package Pilot Project 2017Title is part of eBook package: EBOOK PACKAGE COMPLETE 2017Title is part of eBook package: EBOOK PACKAGE COMPLETE ENGLISH 2017Title is part of eBook package: EBOOK PACKAGE Social Sciences 2017Summary: In the 1960s and 1970s, becoming a rock musician was fundamentally different than playing other kinds of music. It was a learned rather than a taught skill. In On Becoming a Rock Musician, sociologist H. Stith Bennett observes what makes someone a rock musician and what persuades others to take him seriously in this role. The book explores how bands form; the backstage and onstage reality of playing in a band; how bands promote themselves and interact with audiences and music professionals like DJs; and the role of performance.
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Frontmatter -- Contents -- Foreword to the Legacy Edition -- Preface -- A Guide for the Reader -- Acknowledgments -- Part I. Group Dynamics -- 1. Introduction -- 2. Group Definition and Redefinition -- 2. Group Definition and Redefinition -- Part II. Rock Ecology -- 3. Instruments and “the Outside World” -- 4. Equipment and the Band Van -- 5. Gigs -- Part III. Mastering the Technological Component -- 6. Technology and The Music -- 7. The Realities of Practice -- Part IV. Performance: Aesthetics and the Technological Imperative -- 8. Playing -- 9. “Other People’s Music” -- Afterword -- Appendix -- Notes -- Bibliography -- Index

In the 1960s and 1970s, becoming a rock musician was fundamentally different than playing other kinds of music. It was a learned rather than a taught skill. In On Becoming a Rock Musician, sociologist H. Stith Bennett observes what makes someone a rock musician and what persuades others to take him seriously in this role. The book explores how bands form; the backstage and onstage reality of playing in a band; how bands promote themselves and interact with audiences and music professionals like DJs; and the role of performance.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Jun 2017)

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Biblioteca Universității "Dunărea de Jos" din Galați

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