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The Pool Group and the Quest for Anthropological Universality : The Humane Images of Modernism / Betsy van Schlun.

By: Material type: TextTextLanguage: English Series: Buchreihe der Anglia / Anglia Book Series ; 55Publisher: Berlin ; Boston : De Gruyter, [2016]Copyright date: ©2017Description: 1 online resource (476 p.)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9783110491081
Subject(s): Additional physical formats: No title; No titleLOC classification:
  • NX547.6.P66S35 2016
Online resources:
Contents:
Frontmatter -- Contents -- List of Illustrations -- Acknowledgements -- 1. Introduction -- Part I. Theory The Spirit of the Quest -- 2. The Autonomy and the Necessity of Art -- Part II. Technique and Style Towards a Universal Language of Art -- 3. A Language Composed of Images and E/motion -- Part III. Philosophy The Quest for a Universal Foundation of Human Life -- 4. Universal Sympathy and Universal Man: Pool's Avant-gardist New Humanism -- Part IV. Works of Love Pool's Humane Art or: Their Artistic Body -- 5. POOL Novels -- 6. Films by POOL Productions -- 7. POOL Architecture: The Villa KenWin -- 8. Close Up - A Popular Forum for Film and Film Culture -- Part V. ~ The End ~ -- 9. Conclusion: The Disintegrating Body of Pool and the Spirit of Art -- Works Cited -- Index of names -- Index of Subjects
Title is part of eBook package: EBOOK PACKAGE COMPLETE 2016Title is part of eBook package: EBOOK PACKAGE Literary, Cultural and Area Studies 2016Summary: Pool was an avant-garde group that originated in 1927 in Britain and was active under this name until 1933. The group consisted of the well-known modernist poet H.D., the English writer Bryher, and the young Scottish writer and artist Kenneth Macpherson. All three were first and foremost writers, who at one point discovered film as another modern, experimental medium of artistic expression. Pool associated with almost all the iconic modernists of their time, with Ezra Pound, Gertrude Stein, Ernest Hemmingway, James Joyce, Marianne Moore, William Carlos Williams, T.S. Eliot, and Virginia Woolf, to name only a few. In addition, due to their interest in film, they were also befriended with such influential filmmakers as Sergei Eisenstein and Georg Wilhelm Pabst, and became closely associated with Weimar Berlin film culture.Pool unites classical Modernism and modernity, two directions that are usually considered to be contradictory. The Pool phenomenon opens a new perspective onto Modernism and prompts a reconsideration of its canonical texts and figures. Contrary to many artists of Modernism, who devised highly individualistic aesthetic styles, the artists of Pool strove towards a universal art of humanity that was rooted in all-human nature and psychology.
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Frontmatter -- Contents -- List of Illustrations -- Acknowledgements -- 1. Introduction -- Part I. Theory The Spirit of the Quest -- 2. The Autonomy and the Necessity of Art -- Part II. Technique and Style Towards a Universal Language of Art -- 3. A Language Composed of Images and E/motion -- Part III. Philosophy The Quest for a Universal Foundation of Human Life -- 4. Universal Sympathy and Universal Man: Pool's Avant-gardist New Humanism -- Part IV. Works of Love Pool's Humane Art or: Their Artistic Body -- 5. POOL Novels -- 6. Films by POOL Productions -- 7. POOL Architecture: The Villa KenWin -- 8. Close Up - A Popular Forum for Film and Film Culture -- Part V. ~ The End ~ -- 9. Conclusion: The Disintegrating Body of Pool and the Spirit of Art -- Works Cited -- Index of names -- Index of Subjects

Pool was an avant-garde group that originated in 1927 in Britain and was active under this name until 1933. The group consisted of the well-known modernist poet H.D., the English writer Bryher, and the young Scottish writer and artist Kenneth Macpherson. All three were first and foremost writers, who at one point discovered film as another modern, experimental medium of artistic expression. Pool associated with almost all the iconic modernists of their time, with Ezra Pound, Gertrude Stein, Ernest Hemmingway, James Joyce, Marianne Moore, William Carlos Williams, T.S. Eliot, and Virginia Woolf, to name only a few. In addition, due to their interest in film, they were also befriended with such influential filmmakers as Sergei Eisenstein and Georg Wilhelm Pabst, and became closely associated with Weimar Berlin film culture.Pool unites classical Modernism and modernity, two directions that are usually considered to be contradictory. The Pool phenomenon opens a new perspective onto Modernism and prompts a reconsideration of its canonical texts and figures. Contrary to many artists of Modernism, who devised highly individualistic aesthetic styles, the artists of Pool strove towards a universal art of humanity that was rooted in all-human nature and psychology.

Mode of access: Internet via World Wide Web.

In English.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 16. Mai 2019)

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