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_c48748 _d48748 |
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001 | 9781400878406 | ||
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007 | cr || |||||||| | ||
008 | 190708s2015 nju fo d z eng d | ||
020 | _a9781400878406 | ||
024 | 7 |
_a10.1515/9781400878406 _2doi |
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035 | _a(DE-B1597)468480 | ||
035 | _a(OCoLC)927296774 | ||
035 | _a(OCoLC)979578937 | ||
040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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041 | 0 | _aeng | |
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_anju _cUS-NJ |
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_aLIT000000 _2bisacsh |
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_a809.03 _223 |
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_aCOLIE, Rosalie Littell _946860 |
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_aParadoxia Epidemica _h[online] : _bThe Renaissance Tradition of Paradox / _cRosalie Littell Colie |
260 |
_bPrinceton University Press, _c2016 |
||
300 |
_a1 online resource _a(574 p.) |
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490 | 1 |
_aPrinceton Legacy Library _v2295 |
|
505 | 0 | 0 |
_tFrontmatter -- _tPreface -- _tContents -- _tIntroduction: Problems of Paradoxes -- _tPart I. Rhetorical and Psychological Paradoxes -- _t1. "The Puny Rhypographer": François Rabelais and His Book -- _t2. "Pity the Tale of Me": Logos and Art's Eternity -- _t3. John Donne and the Paradoxes of Incarnation -- _tPart II. Paradoxes in Divine Ontology -- _t4. Affirmations in the Negative Theology: the Infinite -- _t5. Affirmations in the Negative Theology: Eternity -- _t6. Logos in The Temple -- _tPart III. Ontological Paradoxes: Being and Becoming -- _t7. "Nothing is but what is not": Solutions to the Problem of Nothing -- _t8. Le pari: All or Nothing -- _t9. Still Life: Paradoxes of Being -- _t10. Being and Becoming: Paradoxes in the Language of Things -- _t11. Being and Becoming in The Faerie Queene -- _tPart IV. Epistemological Paradoxes -- _t12. "I am that I am": Problems of Self-Reference -- _t13. The Rhetoric of Transcendent Know ledge -- _t14. Burton's Anatomy of Melancholy and the Structure of Paradox -- _t15. "Reason in Madness" -- _t16. "Mine own Executioner" -- _tEpilogue -- _tBibliography -- _tIndex |
506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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520 | _aParadoxia Epidemica is a broad-ranging critical study of Renaissance thought, showing how the greatest writers of the period from Erasmus and Rabelais to Donne, Milton, and Shakespeare made conscious use of paradox not only as a figure of speech but as a mode of thought, a way of perceiving the universe, God, nature, and man himself. The book consists of an introduction (historical and topological) and sixteen chapters grouped according to broad types of paradox: rhetorical, theological, ontological, epistemological. Within this framework the author interprets individual writings or art forms as parts of a rich tradition.Originally published in 1966.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. | ||
536 | _aAchiziție prin proiectul Anelis Plus 2020 | ||
538 | _aMode of access: Internet via World Wide Web. | ||
546 | _aIn English. | ||
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_aDE-Limba și literatura engleză _9579 _2UDJG |
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651 | _2UDJG | ||
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_acritică istorică _912583 |
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_acărți electronice _935248 |
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_iTitle is part of eBook package: _dDe Gruyter _tPrinceton Legacy Lib. eBook Package 1931-1979 _z9783110426847 |
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_iTitle is part of eBook package: _dDe Gruyter _tPrinceton Legacy Lib. eBook Package Literature _z9783110413533 |
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_iTitle is part of eBook package: _dDe Gruyter _tPrinceton eBook Package Archive 1931-1999 _z9783110442496 |
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_935671 _aPrinceton Legacy Library |
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_uhttps://www-degruyter-com.am.e-nformation.ro/document/doi/10.1515/9781400878406/html _zAcces la textul integral numai din contul de acces mobil |
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