000			03842nam a22005655i 4500
999			_c49292 _d49292
001			9783110523089
003			DE-B1597
005			20221026001526.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			190723s2016 gw fo d z eng d
020			_a9783110523089
024	7		_a10.1515/9783110523089 _2doi
035			_a(DE-B1597)474005
035			_a(OCoLC)979627181
040			_aDE-B1597 _beng _cDE-B1597 _erda
041	0		_aeng
044			_agw _cDE
072		7	_aLIT011000 _2bisacsh
082	0	4	_a420 _223
100	1		_aKEMPF, Elisabeth _947042
245	1	0	_aPerforming Manuscript Culture _h[online] : _bPoetry, Materiality, and Authorship in Thomas Hoccleve's "Regement of Princes" / _cElisabeth Kempf
260			_bDe Gruyter, _c2017
300			_a1 online resource _a(216 p.)
490	1		_aTrends in Medieval Philology _v33
502			_aDissertation _cFU Berlin _d2014.
505	0	0	_tFrontmatter -- _tAcknowledgments -- _tContents -- _tAbbreviations -- _t1. Introduction: the Regement of Princes as a Manuscript Fiction -- _t2 "Hoccleve, fadir myn, men clepen me": Textual Biography in the Regement of Princes -- _t3. "That text I undirstonde thus alwey": Glosinge in the Regement of Princes -- _t4. "Of his persone, I have heere his liknesse Do make": Mediality and Conceptions of Authorship in the Regement of Princes -- _t5. Conclusions -- _tWorks Cited -- _tImages -- _tIndices
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aThis study conceives of Thomas Hoccleve's Regement of Princes (1410-1413) as an essentially performative text, one that expresses its awareness of the manuscript culture in which it is so firmly rooted. The openness of manuscripts is a recurring subject in the Regement and is not only expressed through mere descriptions of, but through complex references to this manuscript context. Performances of manuscript culture manifest themselves in several aspects of the text. The first is the narrator persona, and especially the question of how persona and text are intertwined. The second is the constantly recurring interpretation of "es from authoritative sources that pervades the Regement. This urge to interpret is expressed both in the tradition of adding marginal glosses and in the process of subjecting the text to an exegetical reading. The third aspect is the relation between text and images in the Regement's manuscripts, which shows how mediality is performed and how the manuscript context is made the focus of this performance. In this monograph, all of these aspects are studied in a mindset that combines the concept of performativity with the postulations of Material Philology.
536			_aAchiziție prin proiectul Anelis Plus 2020
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
648			_2UDJG
650		7	_aDE-Limba și literatura engleză _9579
655		7	_2UDJG _aresursă online _938475
690		7	_aliteratură anglo-americană _946748
690		7	_astudii literare _93050
690		7	_acărți străine _9102
690		7	_acărți achiziții _93407
690		7	_acărți electronice _935248
773	0	8	_iTitle is part of eBook package: _dDe Gruyter _tEBOOK PACKAGE COMPLETE 2016 _z9783110485103 _oZDB-23-DGG
773	0	8	_iTitle is part of eBook package: _dDe Gruyter _tEBOOK PACKAGE Literary, Cultural and Area Studies 2016 _z9783110485264 _oZDB-23-DKU
776	0		_cEPUB _z9783110522587
776	0		_cprint _z9783110522457
830		0	_943807 _aTrends in Medieval Philology
850			_aUDJG
856	4	1	_uhttps://www-degruyter-com.am.e-nformation.ro/document/doi/10.1515/9783110523089/html _zAcces la textul integral numai din contul de acces mobil
942			_2udc _cEBK