000			03723nam a2200505Ii 4500
001			9781787569270
003			UtOrBLW
005			20251029120032.0
006			m o d
007			cr un|||||||||
008			201216t20202021enk ob 001 0deng d
020			_a9781787569270
020			_a9781787569256 _qelectronic bk.
040			_aUtOrBLW _beng _erda _cUtOrBLW
050		4	_aML3918.R63 _bS53 2020
072		7	_aMUS019000 _2bisacsh
072		7	_aAVGT _2bicssc
080			_a781.6
100	1		_aShadrack, Jasmine Hazel, _eauthor. _957164
245	1	0	_aBlack metal, trauma, subjectivity and sound : _bscreaming the abyss / _cby Jasmine Hazel Shadrack (University of Northampton, UK).
264		1	_aBingley, U.K. : _bEmerald Publishing Limited, _c2020.
264		4	_c©2021
300			_a1 online resource (xxiv, 227 pages).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	1		_aEmerald studies in metal music and culture
504			_aIncludes bibliographical references and index.
505	0		_aPrelims -- Chapter One: Interpretive performance autoethnography -- Chapter Two: 'Women! stop ruining metal!' mapping extreme metal -- Chapter Three: Black metal's historical analysis: the story of male metal -- Chapter Four: The feminine absent -- Chapter Five: Of wolves and witches -- Chapter Six: Denigrata as performance -- Chapter Seven: Conclusion. Liber sum: restorative visibility and the feminine present -- Epilogue: (Rebecca Lamont-Jiggens) -- Peroration: dying words as abominable lifeblood -- Glossary of terms -- Select bibliography -- Further reading -- Index.
520			_aBlack Metal, Trauma, Subjectivity and Sound: Screaming the Abyss weaves together trauma, black metal performance and disability into a story of both pain and freedom. Drawing on her years as a black metal guitarist, Jasmine Hazel Shadrack uses autoethnography to explore her own experiences of gender-based violence, misogyny, and the healing power of performance. This profoundly personal book offers a detailed explanation of autoethnography, followed by a careful exposition of the relationship between metal and gender, considering - among other things - how women are engaged with by metal music culture. After examining the various waves of black metal and how this has impacted black metal theory, the book moves on to consider female performers and performance as catharsis, including a discussion of the author's work as guitarist and vocalist with the black metal band Denigrata and her alter-ego, the 'antlered priestess' Denigrata Herself. The book concludes with some thoughts on acquired disability, freedom and peace. The book includes a foreword from eminent gender researcher Rosemary Lucy Hill, a guest section from metal scholar Amanda DiGioia, an epilogue from Rebecca Lamont-Jiggens (a legal pracademic specialising in disability), suggestions of sources of help for those in abusive relationships and further reading for those wishing to learn more about black metal theory.
588	0		_aPrint version record.
600	1	0	_aShadrack, Jasmine Hazel. _957164
650		0	_aBlack metal (Music) _xSocial aspects. _957165
650		0	_aMisogyny. _957166
650		0	_aDisabilities. _957167
650		0	_aPsychic trauma. _957168
650		0	_aMusic _xHealth aspects. _957169
650		7	_aMusic, Genres & Styles, Heavy Metal. _2bisacsh _957170
650		7	_aHeavy Metal music. _2bicssc _957171
776			_z9781787569263
830		0	_aEmerald studies in metal music and culture. _957172
856	4	0	_uhttps://doi.org/10.1108/9781787569256
999			_c50991 _d50991