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020 _a9783031376566
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024 7 _a10.1007/978-3-031-37656-6
_2doi
050 4 _aHM623
072 7 _aJFC
_2bicssc
072 7 _aSOC002010
_2bisacsh
072 7 _aJBCC
_2thema
245 1 4 _aThe Guantánamo Artwork and Testimony of Moath Al-Alwi
_h[electronic resource] :
_bDeaf Walls Speak /
_cedited by Alexandra S. Moore, Elizabeth Swanson.
250 _a1st ed. 2024.
264 1 _aCham :
_bSpringer International Publishing :
_bImprint: Palgrave Macmillan,
_c2024.
300 _aXXXIV, 166 p. 15 illus.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
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490 1 _aPalgrave Studies in Literature, Culture and Human Rights,
_x2524-8839
505 0 _a Editor’s Introduction The Guantánamo Artwork of Moath al-Alwi: Art as Expression, Witness, Evidence Alexandra S. Moore and Elizabeth Swanson -- Chapter 1: Artmaking at Guantánamo: A Ship Expresses Rescue Moath al-Alwi -- Chapter 2: My Brother, the Artist Mansoor Adayfi -- Chapter 3: APPROVED BY U.S. FORCES: Showing Art from Guantánamo Erin L. Thompson -- Chapter 4: From Wasting Away to a Way with Waste: The Visibility of Moath al-Alwi's Hunger and Sculpture Joshua O. Reno -- Chapter 5: Ships of Scraps: Moath al-Alwi’s Model Ships in Islamic Art and Prison Histories Mira Rai Waits -- Chapter 6: Guantánamo Bay Ensigns: Material Rhetorics and Moath al-Alwi’s Ships Belinda Walzer -- Chapter 7: A Sea without a Shore: Building an Alternative Visual Archive of Guantánamo Bay Safiyah Rochelle -- Chapter 8: Assemblage by Necessity: The Maritime Sculpture of Moathal-Alwi Gail Rothschild. .
520 _a Deaf Walls Speak presents an insider’s view of artmaking in Guantánamo, the world’s most notorious prison, as self-expression and protest, and to stage a fundamental human rights claim that has been denied by law and politics: the right to be recognized as human. The book juxtaposes detainee artist Moath al-Alwi’s testimony and artwork with essays that situate his work within legal, political, aesthetic, and material contexts to demonstrate that artwork at Guantánamo constitutes important forms of material witnessing to human rights abuses perpetrated and denied by the U.S. government. Alexandra S. Moore is Professor of English and Co-Director of the Human Rights Institute at Binghamton University. Elizabeth Swanson is Professor of Literature and Human Rights at Babson College.
650 0 _aCulture
_xStudy and teaching.
_966082
650 0 _aHuman rights.
_958427
650 0 _aArt, Modern
_x21st century.
_966083
650 1 4 _aVisual Culture.
_966084
650 2 4 _aHuman Rights.
_958427
650 2 4 _aContemporary Art.
_966085
700 1 _aMoore, Alexandra S.
_eeditor.
_4edt
_4http://id.loc.gov/vocabulary/relators/edt
_966086
700 1 _aSwanson, Elizabeth.
_eeditor.
_4edt
_4http://id.loc.gov/vocabulary/relators/edt
_966087
710 2 _aSpringerLink (Online service)
773 0 _tSpringer Nature eBook
776 0 8 _iPrinted edition:
_z9783031376559
776 0 8 _iPrinted edition:
_z9783031376573
776 0 8 _iPrinted edition:
_z9783031376580
830 0 _aPalgrave Studies in Literature, Culture and Human Rights,
_x2524-8839
_966088
856 4 0 _uhttps://doi.org/10.1007/978-3-031-37656-6
912 _aZDB-2-LCM
912 _aZDB-2-SXL
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