| 000 | 03224nam a22005655i 4500 | ||
|---|---|---|---|
| 001 | 978-3-662-67252-5 | ||
| 003 | DE-He213 | ||
| 005 | 20251030110826.0 | ||
| 007 | cr nn 008mamaa | ||
| 008 | 231027s2024 gw | s |||| 0|eng d | ||
| 020 |
_a9783662672525 _9978-3-662-67252-5 |
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| 024 | 7 |
_a10.1007/978-3-662-67252-5 _2doi |
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| 050 | 4 | _aP87-96 | |
| 072 | 7 |
_aJFD _2bicssc |
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| 072 | 7 |
_aSOC052000 _2bisacsh |
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| 072 | 7 |
_aJBCT _2thema |
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| 100 | 1 |
_aBerlich, Sebastian. _eauthor. _4aut _4http://id.loc.gov/vocabulary/relators/aut _966804 |
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| 245 | 1 | 0 |
_aWho You Think I Am? _h[electronic resource] : _bMasks in Pop Music / _cby Sebastian Berlich. |
| 250 | _a1st ed. 2024. | ||
| 264 | 1 |
_aBerlin, Heidelberg : _bSpringer Berlin Heidelberg : _bImprint: Palgrave Macmillan, _c2024. |
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| 300 |
_aX, 173 p. 9 illus. in color. _bonline resource. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | _aFrom Face to Mask: Introduction -- The Double Persona: Pop Subject and Mask -- The Immobile Face: Coolness -- The Backside of the Mask: Anonymity -- The Mask as Logo: Style Community and Series -- Me and No Mask: Unmaskings -- The Immobile Face II: Mask and Death -- Femininity Instead of Masquerade: Countergendered Masks -- Conclusion: From Face to Mask to Avatar? | |
| 520 | _aPop stars are close to us. In their songs, their pictures, their stories on Instagram. What we are looking for is an authentic impression. Real feelings on real faces. But what happens when they cover their face with a mask? Permanently, as a second face. The phenomenon can be found in the mainstream as well as in the underground. The mask does not break with the ideal of authenticity. Rather, depending on how it is staged, it refers to the most diverse discourses, can appear cool or grotesque, become a logo or create anonymity. The essay uses mainly two examples (Sido, Slipknot) to show how the mask constructs the persona of pop stars - and thus reveals structures of pop music. The translation was done with the help of artificial intelligence. A subsequent human revision was done primarily in terms of content. | ||
| 650 | 0 |
_aCommunication. _959615 |
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| 650 | 0 |
_aCulture _xStudy and teaching. _966082 |
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| 650 | 0 |
_aPopular Culture. _957605 |
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| 650 | 0 |
_aClothing and dress _xSocial aspects. _966805 |
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| 650 | 0 |
_aHuman body in popular culture. _966806 |
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| 650 | 0 |
_aPopular music. _966807 |
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| 650 | 1 | 4 | _aMedia and Communication. |
| 650 | 2 | 4 |
_aCultural Studies. _958745 |
| 650 | 2 | 4 |
_aPopular Culture. _957605 |
| 650 | 2 | 4 |
_aFashion and the Body. _966808 |
| 650 | 2 | 4 |
_aPop and Rock. _966809 |
| 710 | 2 | _aSpringerLink (Online service) | |
| 773 | 0 | _tSpringer Nature eBook | |
| 776 | 0 | 8 |
_iPrinted edition: _z9783662672518 |
| 776 | 0 | 8 |
_iPrinted edition: _z9783662672532 |
| 856 | 4 | 0 | _uhttps://doi.org/10.1007/978-3-662-67252-5 |
| 912 | _aZDB-2-LCM | ||
| 912 | _aZDB-2-SXL | ||
| 999 |
_c56456 _d56456 |
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