000 04210nam a22005175i 4500
001 978-3-031-41570-8
003 DE-He213
005 20251030110842.0
007 cr nn 008mamaa
008 231128s2024 sz | s |||| 0|eng d
020 _a9783031415708
_9978-3-031-41570-8
024 7 _a10.1007/978-3-031-41570-8
_2doi
050 4 _aBD239.2-265
072 7 _aHPK
_2bicssc
072 7 _aPHI036000
_2bisacsh
072 7 _aQDTK
_2thema
245 1 0 _aGadamer, Music, and Philosophical Hermeneutics
_h[electronic resource] /
_cedited by Sam McAuliffe.
250 _a1st ed. 2024.
264 1 _aCham :
_bSpringer International Publishing :
_bImprint: Springer,
_c2024.
300 _aXIV, 294 p. 16 illus., 13 illus. in color.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 1 _aContributions to Hermeneutics,
_x2509-6095 ;
_v12
505 0 _aIntroduction -- Serious Play: Towards a philosophical understanding of interpretative musical performance -- The Participant Belongs to the Play: The Ethical Dimensions of Improvised Music -- The Dance That Transforms: Gadamer on Morality, Music, and Religion -- Tarrying with John Cage's plant pieces -- Horizons of Fusion: Arabic Maqām, Improvisation and Gadamerian Hermeneutics -- Living Tradition: Jazz Improvisation in the light of Gadamer’s Hermeneutics -- The Drastic Hermeneutics of Hans-Georg Gadamer and Vladimir Jankélévitch -- The musical work of art and its interpretations: Gadamer's critique of Ingarden -- Gadamer's horizons as interfaces for knowing musical worlds -- Can Music Speak? The Language of Art and the Communicability of Aesthetic Experience -- The Experience of Music in the Digital Age: From Auditory Ereignis to Episodic Insignificance and Back -- Re-sounding: Towards an ontological hermeneutics of being-musically -- Gadamer, Beauty, and Musical Improvisation -- Music's Aesthetic Untology: Understanding's InMaterial Improvisations -- The Hermeneutics of Performance and the Performance of Hermeneutics -- Approaching Hermeneutics through Music.
520 _aThis volume explores Hans-Georg Gadamer's philosophical hermeneutics within a musical context. It features contributions from philosophers, musicians, educators, and musicologists from a variety of backgrounds, and sheds light on both the hermeneutic nature of music and the musicality of hermeneutics. Contributors to this volume hermeneutically think with music to uncover its fundamentally hermeneutic character, and by thinking with Gadamer in a musical context, explore ways in which hermeneutics may be understood to possess an inherent musicality. Gadamer's thought is taken up in a variety of musical contexts including improvisation, musical performance, classical music, jazz, and music criticism. This first volume to explore Gadamer's hermeneutics in a musical context breaks new ground by challenging musical concepts and by pushing Gadamer's thought in new directions. It appeals to philosophers engaged with Gadamer's thought (and philosophical hermeneutics more broadly), as well as philosophers of music, musicologists, and musicians interested in critically engaging with the practice of performing and listening to music.
650 0 _aHermeneutics.
_962753
650 0 _aAesthetics.
_964000
650 1 4 _aHermeneutics.
_962753
650 2 4 _aAesthetics.
_964000
700 1 _aMcAuliffe, Sam.
_eeditor.
_4edt
_4http://id.loc.gov/vocabulary/relators/edt
_967643
710 2 _aSpringerLink (Online service)
773 0 _tSpringer Nature eBook
776 0 8 _iPrinted edition:
_z9783031415692
776 0 8 _iPrinted edition:
_z9783031415715
776 0 8 _iPrinted edition:
_z9783031415722
830 0 _aContributions to Hermeneutics,
_x2509-6095 ;
_v12
_955709
856 4 0 _uhttps://doi.org/10.1007/978-3-031-41570-8
912 _aZDB-2-LCM
912 _aZDB-2-SXL
999 _c56663
_d56663