| 000 | 03811nam a22005535i 4500 | ||
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| 001 | 978-3-031-43067-1 | ||
| 003 | DE-He213 | ||
| 005 | 20251030110842.0 | ||
| 007 | cr nn 008mamaa | ||
| 008 | 231128s2024 sz | s |||| 0|eng d | ||
| 020 |
_a9783031430671 _9978-3-031-43067-1 |
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| 024 | 7 |
_a10.1007/978-3-031-43067-1 _2doi |
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| 050 | 4 | _aPN2181-2193 | |
| 072 | 7 |
_aAN _2bicssc |
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| 072 | 7 |
_aPER011000 _2bisacsh |
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| 072 | 7 |
_aATD _2thema |
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| 100 | 1 |
_aCole, Emma. _eauthor. _4aut _4http://id.loc.gov/vocabulary/relators/aut _967644 |
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| 245 | 1 | 0 |
_aPunchdrunk on the Classics _h[electronic resource] : _bExperiencing Immersion in The Burnt City and Beyond / _cby Emma Cole. |
| 250 | _a1st ed. 2024. | ||
| 264 | 1 |
_aCham : _bSpringer International Publishing : _bImprint: Palgrave Macmillan, _c2024. |
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| 300 |
_aXVI, 233 p. 12 illus., 11 illus. in color. _bonline resource. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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| 505 | 0 | _aChapter 1: Introducing The Burnt City and beyond -- Chapter 2: Punchdrunk on the Classics: A History -- Chapter 3: The Burnt City in Development: Rehearsal as Mythopoiesis -- Chapter 4: The Burnt City in Development: Abstracting Ancient Literature -- Chapter 5: The Burnt City in Performance: Place, Space, and Experience -- Chapter 6: The Burnt City’s Legacy: Immersivity, Mimesis, and Enargeia -- Chapter 7: Conclusion. | |
| 520 | _aPunchdrunk on the Classics: Experiencing Immersion in The Burnt City and Beyond draws attention to Punchdrunk’s use of ancient Greek literature in their creation of immersive theatre. The book documents and analyses the effects of utilising Greek tragedy within both Punchdrunk’s creative development windows, and the company’s final staged productions. It features material stretching from The House of Oedipus (2000) right through to The Burnt City (2022-23), on which the author worked as dramaturg. Chapters include rehearsal studies, explorations of how Greek literature can shape an audience’s experience in immersive theatre, and considerations of how The Burnt City might change our understanding of the poetics of immersion in antiquity. Overall, Punchdrunk on the Classics provides an unparalleled depth of insight into an individual Punchdrunk production, and highlights the until-now overlooked significance of antiquity within Punchdrunk’s practice. Emma Cole is Senior Lecturer in Drama at the University of Queensland, Australia; previously, she was Senior Lecturer in Liberal Arts and Classics at the University of Bristol. She is a classicist and a theatre historian and is an expert on Greek tragedy in contemporary theatre. Her previous book, Postdramatic Tragedies, was published in 2019. | ||
| 650 | 0 |
_aTheater _xHistory. _966689 |
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| 650 | 0 |
_aActors. _967645 |
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| 650 | 0 |
_aClassical literature. _967646 |
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| 650 | 0 |
_aLiterature, Ancient. _967647 |
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| 650 | 0 |
_aAdaptation (Literary, artistic, etc.). _967648 |
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| 650 | 1 | 4 |
_aContemporary Theatre and Performance. _967649 |
| 650 | 2 | 4 |
_aPerformers and Practitioners. _967650 |
| 650 | 2 | 4 |
_aClassical and Antique Literature. _967651 |
| 650 | 2 | 4 |
_aAdaptation Studies. _967652 |
| 710 | 2 | _aSpringerLink (Online service) | |
| 773 | 0 | _tSpringer Nature eBook | |
| 776 | 0 | 8 |
_iPrinted edition: _z9783031430664 |
| 776 | 0 | 8 |
_iPrinted edition: _z9783031430688 |
| 776 | 0 | 8 |
_iPrinted edition: _z9783031430695 |
| 856 | 4 | 0 | _uhttps://doi.org/10.1007/978-3-031-43067-1 |
| 912 | _aZDB-2-LCM | ||
| 912 | _aZDB-2-SXL | ||
| 999 |
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