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001 978-3-031-40067-4
003 DE-He213
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007 cr nn 008mamaa
008 240118s2024 sz | s |||| 0|eng d
020 _a9783031400674
_9978-3-031-40067-4
024 7 _a10.1007/978-3-031-40067-4
_2doi
050 4 _aML3469-3543
072 7 _aAVGN
_2bicssc
072 7 _aMUS029000
_2bisacsh
072 7 _aAVLP
_2thema
100 1 _aDuggal, Simon.
_eauthor.
_4aut
_4http://id.loc.gov/vocabulary/relators/aut
_969648
245 1 0 _aRecord, Mix and Master
_h[electronic resource] :
_bA Beginner’s Guide to Audio Production /
_cby Simon Duggal.
250 _a1st ed. 2024.
264 1 _aCham :
_bSpringer Nature Switzerland :
_bImprint: Palgrave Macmillan,
_c2024.
300 _aXXII, 264 p. 206 illus., 202 illus. in color.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 _aSection One: Record -- 1. An Introduction to How Sound Works -- 2. Speakers -- 3. Digital Audio Workstation (DAW) -- 4. Digital -- 5. Hardware -- 6. Gain Staging -- 7. Microphones -- 8. Phase -- 9. Room Acoustics -- 10. Recording Tips -- Section Two: Mix -- 11. Equalisers (Eq) -- 12. Dynamics -- 13. Effects -- 14. Subgroups -- 15. Monitoring in Mono -- 16. Mid-Side Processing -- 17. Transients -- 18. Panning -- 19. Plosives -- 20. Zero Crossing and Crossfades -- 21. Mixing Tips -- Section Three: Master -- 22. What is Mastering -- 23. Prepare Your Track for Mastering -- 24. Mastering Tools -- 25. Dither -- 26. Metering -- 27. Mastering Your Song – Things to Consider.
520 _aThis textbook is a practical guide to achieving professional-level audio productions using digital audio workstations. It contains 27 chapters divided into three sections, with specially devised diagrams and audio examples throughout. Aimed at students of all levels of experience and written in an easy-to-understand way, this book simplifies complex jargon, widening its appeal to non-academic creatives and is designed to accelerate the learning of professional audio processes and tools (software and hardware).The reader can work through the book from beginning to end or dip into a relevant section whenever required, enabling it to serve as both a step by step guide and an ongoing reference manual. The book is also a useful aid for lecturers and teachers of audio production, recording, mixing and mastering engineering. Simon Duggal is an award-winning producer/composer who has been producing, writing, recording, editing and mixing music for more than 30 years. He has made records for many top international artists including: Shania Twain, Maxi Priest, Erasure, Apache Indian, Janet Kaye, Errol Reid (China Black), Nusrat Fateh Ali Khan, The Beat, Luciano, Desmond Dekker, Dillinger and many more. Duggal has composed music for adverts for companies including: Pepsi, Intel, Toshiba, Etisalat, Etihad and composed title and incidental music for a BAFTA winning UK TV drama. He is also an MA specialist mentor at the British and Irish Modern Music University in Birmingham, UK. Paul Rogers is the Course Leader for Postgraduate Studies at the British and Irish modern Music University in Birmingham, UK, and a seasoned music industry veteran. He holds a PhD in music composition from Goldsmiths (UK).
650 0 _aPopular music.
_966807
650 0 _aService industries.
_968307
650 1 4 _aPopular Music.
_966807
650 2 4 _aEntertainment Industry.
_968547
650 2 4 _aPop and Rock.
_966809
710 2 _aSpringerLink (Online service)
773 0 _tSpringer Nature eBook
776 0 8 _iPrinted edition:
_z9783031400667
776 0 8 _iPrinted edition:
_z9783031400681
856 4 0 _uhttps://doi.org/10.1007/978-3-031-40067-4
912 _aZDB-2-LCM
912 _aZDB-2-SXL
999 _c57224
_d57224