| 000 | 03344nam a22005415i 4500 | ||
|---|---|---|---|
| 001 | 978-3-031-47761-4 | ||
| 003 | DE-He213 | ||
| 005 | 20251030111416.0 | ||
| 007 | cr nn 008mamaa | ||
| 008 | 240205s2024 sz | s |||| 0|eng d | ||
| 020 |
_a9783031477614 _9978-3-031-47761-4 |
||
| 024 | 7 |
_a10.1007/978-3-031-47761-4 _2doi |
|
| 050 | 4 | _aGF | |
| 072 | 7 |
_aRGC _2bicssc |
|
| 072 | 7 |
_aSOC015000 _2bisacsh |
|
| 072 | 7 |
_aRGC _2thema |
|
| 100 | 1 |
_aMaunganidze, Langtone. _eauthor. _4aut _4http://id.loc.gov/vocabulary/relators/aut _970615 |
|
| 245 | 1 | 0 |
_aRepresentation and Materialization of Architecture and Space in Zimbabwe _h[electronic resource] : _bBetween National Icons and Dispositifs / _cby Langtone Maunganidze. |
| 250 | _a1st ed. 2024. | ||
| 264 | 1 |
_aCham : _bSpringer Nature Switzerland : _bImprint: Springer, _c2024. |
|
| 300 |
_aXVII, 153 p. 31 illus. in color. _bonline resource. |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 347 |
_atext file _bPDF _2rda |
||
| 505 | 0 | _aChapter 1: Introduction -- Chapter 2: Framing iconic architecture: Context and dimensions -- Chapter 3: Materialization, space and identity -- Chapter 4: Inside Indigeneity and Iconicity: The African traditional hut -- Chapter 5: The sociology of museums and monuments -- Chapter 6: State buildings: Patterns and processes of materialization -- Chapter 7: The Zimbabwe Bird: The sovereign architecture -- Chapter 8: Religious architecture in Zimbabwe: a critical anthropological treatise -- Chapter 9: Urban informality and spatial re-figuration -- Chapter 10: Gender, architecture and space -- Chapter 11: Summary and conclusion. . | |
| 520 | _aThis volume is an empirical study examining the extent to which historic and iconic architecture and spaces in Zimbabwe - particularly in urban areas - have been mobilized to construct and reconstruct identities. The author explores the question of traditional and political architecture through analysis of a variety of structures, including monuments, museums, and indigenous and state buildings. Special attention is paid to the soapstone-carved Zimbabwe Bird, which for years has served as the national emblem. Overall, this book argues that while the production and use of architectural products and spaces have been regarded symbols of collective identity, they have also served as expressions of power and control. | ||
| 650 | 0 |
_aHuman geography. _958506 |
|
| 650 | 0 |
_aArchitecture _xHistory. _968764 |
|
| 650 | 0 | _aSociology, Urban. | |
| 650 | 0 |
_aEnvironmental geography. _969017 |
|
| 650 | 1 | 4 |
_aHuman Geography. _958506 |
| 650 | 2 | 4 |
_aArchitectural History and Theory. _968766 |
| 650 | 2 | 4 |
_aUrban Sociology. _969514 |
| 650 | 2 | 4 |
_aIntegrated Geography. _969018 |
| 710 | 2 | _aSpringerLink (Online service) | |
| 773 | 0 | _tSpringer Nature eBook | |
| 776 | 0 | 8 |
_iPrinted edition: _z9783031477607 |
| 776 | 0 | 8 |
_iPrinted edition: _z9783031477621 |
| 776 | 0 | 8 |
_iPrinted edition: _z9783031477638 |
| 856 | 4 | 0 | _uhttps://doi.org/10.1007/978-3-031-47761-4 |
| 912 | _aZDB-2-EES | ||
| 912 | _aZDB-2-SXEE | ||
| 999 |
_c57491 _d57491 |
||