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| 001 | 978-981-99-7359-0 | ||
| 003 | DE-He213 | ||
| 005 | 20251030111722.0 | ||
| 007 | cr nn 008mamaa | ||
| 008 | 240314s2024 si | s |||| 0|eng d | ||
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_a9789819973590 _9978-981-99-7359-0 |
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_a10.1007/978-981-99-7359-0 _2doi |
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| 050 | 4 | _aGV1580-1799.4 | |
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_aASD _2bicssc |
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_aPER003000 _2bisacsh |
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_aATQ _2thema |
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| 100 | 1 |
_aSarkar Munsi, Urmimala. _eauthor. _4aut _4http://id.loc.gov/vocabulary/relators/aut _973074 |
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| 245 | 1 | 0 |
_aMapping Critical Dance Studies in India _h[electronic resource] / _cby Urmimala Sarkar Munsi. |
| 250 | _a1st ed. 2024. | ||
| 264 | 1 |
_aSingapore : _bSpringer Nature Singapore : _bImprint: Springer, _c2024. |
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| 300 |
_aXXV, 285 p. 37 illus., 5 illus. in color. _bonline resource. |
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| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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| 490 | 1 |
_aPerformance Studies & Cultural Discourse in South Asia, _x2731-5096 ; _v2 |
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| 505 | 0 | _aIntroduction: All that is Dance -- Bodies that Dance: Critical Frames of Reference -- Understanding Categorisation: The ‘Tribal’ ‘Folk’, and the ‘Classical’ Dance Forms -- Patriarchy and the [In]Visible Line of Control: Power Structures and Space Making -- The Modern and the Contemporary in the Context of Dance in India -- To be continued: Thoughts on Dance as Response, Responsibility and Resistance -- Thoughts on Purpose and Criticality. | |
| 520 | _aThis book provides a critical understanding of dance studies in India, bringing together various embodied practices identified loosely as dance. It suggests an alternative reading of the history of patronage, policies, and institutionalized understanding of categories such as classical, folk, modern, popular, and Bollywood that hierarchizes some dances as 'more' dance than others. It is of great interest to scholars looking at performing arts such as dance as a tool for identity assertions. It offers diverse possibilities of understanding dance through its inherent sociopolitical possibilities as a participatory or presentational tool for communication. The multidisciplinary approach brings together perspectives from critical dance studies, anthropology, history, and gender studies to connect embodied archives of different communities to create an intersectional methodology of studying dance in India as a powerful but marginal expressive art practice. Accessible at multiple levels, the content is relevant for undergraduate and postgraduate students, as well as researchers across dance, dance education, theatre, and performance studies. | ||
| 650 | 0 |
_aDance. _967903 |
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_aPerforming arts. _967607 |
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_aTheater. _966691 |
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| 650 | 0 |
_aSex. _966477 |
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| 650 | 1 | 4 |
_aDance. _967903 |
| 650 | 2 | 4 |
_aTheatre and Performance Arts. _967611 |
| 650 | 2 | 4 |
_aGender Studies. _966478 |
| 710 | 2 | _aSpringerLink (Online service) | |
| 773 | 0 | _tSpringer Nature eBook | |
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_iPrinted edition: _z9789819973583 |
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_iPrinted edition: _z9789819973606 |
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_iPrinted edition: _z9789819973613 |
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_aPerformance Studies & Cultural Discourse in South Asia, _x2731-5096 ; _v2 _973075 |
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| 856 | 4 | 0 | _uhttps://doi.org/10.1007/978-981-99-7359-0 |
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