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020 _a9783031537813
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024 7 _a10.1007/978-3-031-53781-3
_2doi
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_2bicssc
072 7 _aPHI018000
_2bisacsh
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_2thema
100 1 _aBarber, Michael.
_eauthor.
_4aut
_4http://id.loc.gov/vocabulary/relators/aut
_973978
245 1 0 _aResilience and Responsiveness
_h[electronic resource] :
_bAlfred’s Schutz’s Finite Provinces of Meaning /
_cby Michael Barber.
250 _a1st ed. 2024.
264 1 _aCham :
_bSpringer Nature Switzerland :
_bImprint: Springer,
_c2024.
300 _aX, 228 p.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 1 _aContributions to Phenomenology, In Cooperation with The Center for Advanced Research in Phenomenology,
_x2215-1915 ;
_v129
505 0 _a1. Introduction: Finite Provinces of Meaning, Resilience, Responsiveness, The Plan of this Book -- Chapter 2: Imposed Relevances and Resilience -- Chapter 3. The Province of Play: Creativity, Responsiveness, and Ethics -- Chapter 4. The Implications of Play: Resilience, Everyday Life, and Ethics -- Chapter 5: The Experience of Music: Embodied, Holistic, and Intersubjective -- Chapter 6: Finite Provinces of Meaning and Responsiveness, Responsibility, and Jazz -- Chapter 7: Religious/Spiritual Ritual and Intersubjective Responsiveness -- Chapter 8: African-American Folkloric Humor: Resilience, Province of Meaning, Responsiveness -- 9. Conclusion: Phenomenological Intentionality and Looking-Glass Sociality.
520 _aThis book extends Alfred Schutz’s “On Multiple Realities” by describing the provinces of meaning of play, music, religious ritual, and African-American folkloric humor. Throughout these provinces, the author traces two themes: resilience and responsiveness. In resilience, individuals or communities run up against obstacles, imposed relevances, which they come to terms with, or give meaning to (in phenomenological parlance), by modifying, evading, overcoming, or accepting them. Responsiveness emerges from Schutz’s idea of making music together, which the author takes further by analyzing the mimetic encounter with the other and the asymmetries in listening to music, and, especially, by showing how the features of the cognitive style of music as a province of meaning affect sociality, disposing us to be more vulnerable and attentive to each other’s non-conceptual, musical meanings. This text appeals to upper-level undergraduate students and graduate students as well as to faculty in philosophy.
650 0 _aPhenomenology .
_962362
650 0 _aReligion and sociology.
_968604
650 1 4 _aPhenomenology.
_962362
650 2 4 _aPhenomenology of Religion.
_973979
710 2 _aSpringerLink (Online service)
773 0 _tSpringer Nature eBook
776 0 8 _iPrinted edition:
_z9783031537806
776 0 8 _iPrinted edition:
_z9783031537820
776 0 8 _iPrinted edition:
_z9783031537837
830 0 _aContributions to Phenomenology, In Cooperation with The Center for Advanced Research in Phenomenology,
_x2215-1915 ;
_v129
_968144
856 4 0 _uhttps://doi.org/10.1007/978-3-031-53781-3
912 _aZDB-2-REP
912 _aZDB-2-SXPR
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