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001			978-3-031-48251-9
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020			_a9783031482519 _9978-3-031-48251-9
024	7		_a10.1007/978-3-031-48251-9 _2doi
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072		7	_aAC _2bicssc
072		7	_aART015000 _2bisacsh
072		7	_aAGA _2thema
100	1		_aMillett-Gallant, Ann. _eauthor. _4aut _4http://id.loc.gov/vocabulary/relators/aut _974735
245	1	4	_aThe Disabled Body in Contemporary Art _h[electronic resource] / _cby Ann Millett-Gallant.
250			_a2nd ed. 2024.
264		1	_aCham : _bSpringer Nature Switzerland : _bImprint: Palgrave Macmillan, _c2024.
300			_aVII, 131 p. 20 illus. in color. _bonline resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0		_aIntroduction: Curating this Collection -- Chapter 1: Disarming Venus -- Chapter 2: Sculpting Body Ideals -- Chapter 3: Performing Amputation -- Chapter 4: Staring Back and Forth: The Photographs of Kevin Connolly -- Chapter 5: Cripping Aesthetics: The Work of Persimmon Blackbridge -- Chapter 6: Watching One’s Back: Self-Portraits of Disabled Women’s Backs as Provocative and Protective -- Conclusion: Looking Forward.
520			_a'An enlightening collection of work exploring the intersection between art and disability. Millett-Gallant’s writing illuminates the transformative power of perspective and its ability to challenge and redefine social norms.' Kevin Michael Connolly 'The Disabled Body in Contemporary Art has for more than a decade been the primary, indispensable resource for thinking about the myriad ways that disability is represented by contemporary artists. This second edition updates and extends Ann Millett-Gallant’s groundbreaking text.' Robert McRuer, author of Crip Theory: Cultural Signs of Queerness and Disability (2006) Operating from the position that disability offers "an opportunity for alternative and unique insights," Ann Millett-Gallant presents readers with engaging analyses of the work of Mary Duffy, Marc Quinn, Joel-Peter Witkin, Kevin Connolly, Persimmon Blackbridge, Sandie Yi, and others, which challenges prevailing stereotypes and assumptions about corporeal difference. This long-awaited revision and extension of Millet-Gallant's groundbreaking The Disabled Body in Contemporary Art (2010) is a must-read for anyone interested in art and disability. Keri Watson, Co-editor, The Routledge Companion to Art and Disability (2022) The second edition offers an essential update to the foundational first edition, The Disabled Body in Contemporary Art. Featuring updated chapters and case studies, this second edition will not only expand on the first edition but will bring a new focus to contemporary disabled artists and their embodied, multimedia work. Ann Millett-Gallant, PhD is Senior Lecturer for the University of North Carolina at Greensboro, USA. Her online courses combine art history, visual culture, disability studies, and women’s and gender studies, and her books include The Disabled Body in Contemporary Art; Re-Membering: Putting Mind and Body Back Together Following Traumatic Brain Injury; and the coedited volumes Disability and Art History and Disability and Art History: From Antiquity to the Twenty-First Century. Millett-Gallant’s artworks have been displayed at universities and galleries in North Carolina. Her website is annmg.com.
650		0	_aArt _xHistory. _968955
650		0	_aArt, Modern _x21st century. _966083
650		0	_aMedicine and the humanities. _966324
650		0	_aPeople with disabilities _xEducation. _967591
650	1	4	_aArt History. _968957
650	2	4	_aContemporary Art. _966085
650	2	4	_aMedical Humanities. _966327
650	2	4	_aEducation and Disability. _967592
710	2		_aSpringerLink (Online service)
773	0		_tSpringer Nature eBook
776	0	8	_iPrinted edition: _z9783031482502
776	0	8	_iPrinted edition: _z9783031482526
856	4	0	_uhttps://doi.org/10.1007/978-3-031-48251-9
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