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020 _a9783031536922
_9978-3-031-53692-2
024 7 _a10.1007/978-3-031-53692-2
_2doi
050 4 _aML3469-3543
072 7 _aAVGN
_2bicssc
072 7 _aMUS029000
_2bisacsh
072 7 _aAVLP
_2thema
100 1 _aBravo, Eva Silot.
_eauthor.
_4aut
_4http://id.loc.gov/vocabulary/relators/aut
_975073
245 1 0 _aCuban Fusion
_h[electronic resource] :
_bThe Transnational Cuban Alternative Music Scene /
_cby Eva Silot Bravo.
250 _a1st ed. 2024.
264 1 _aCham :
_bSpringer Nature Switzerland :
_bImprint: Palgrave Macmillan,
_c2024.
300 _aXVIII, 181 p. 35 illus., 33 illus. in color.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 _aChapter 1 Introduction -- Chapter 2 Towards a Post-National Cuban Imaginary: Theoretical and Historical Context -- Chapter 3 Cubanidad “in-between:” the Transnational Cuban Alternative Music Scene (TCAMS) -- Chapter 4 TCAMS and the Music Industry -- Chapter 5 Conclusions- Cuban Fusion Music across Borders.
520 _a“An invaluable study of Cuban music making in diaspora.” —Robin D. Moore, Professor of Ethnomusicology, Butler School of Music, The University of Texas at Austin, USA “Silot Bravo's study thus provides a rare glimpse into a space where artists navigate between political constraints, fostering a global citizenship that goes beyond the rigid political lines often associated with Cuban studies.” —Greg Landau, Ph.D., Producer, Educator & Music Historian, USA “Drawing from decades of experience in diplomacy, music scholarship, and arts advocacy, Bravo's careful study of oft-neglected alternative artists is sure to challenge thinking surrounding what Cuban music sounds like and who gets to participate.” —Mike Levine, Assistant Professor in Musicology, Christopher Newport University, USA Surveying the impact of Cuba's economic crisis after the demise of the eastern socialist block, this book documents a relatively unexplored transnational network of collaborations among Cuban musicians that migrated to many different countries from the 1990s forward. The book’s main argument is that in light of the 1990s crisis in Cuba, new transnational and alternative narratives emerged, resulting in creative “in-between” spaces that reflect a post- socialist aesthetic condition. The manuscript also documents important developments in the Cuban jazz and fusion scenes outside the island in the last 20+ years. Eva Silot Bravo has a PhD in Cultural Studies, Spanish and Literatures from The University of Miami (FL, USA). She has taught at University of Miami, Barry University, Miami Dade Public School System, The Branson School in Ross, CA and currently at Oakland School for the Arts in Oakland, CA. In United Nations she represented Cuba and developing countries (G77).
650 0 _aPopular music.
_966807
650 0 _aEthnology
_xLatin America.
_966136
650 0 _aCulture.
_959159
650 0 _aJazz.
_975074
650 1 4 _aPopular Music.
_966807
650 2 4 _aLatin American Culture.
_966140
650 2 4 _aJazz.
_975074
710 2 _aSpringerLink (Online service)
773 0 _tSpringer Nature eBook
776 0 8 _iPrinted edition:
_z9783031536915
776 0 8 _iPrinted edition:
_z9783031536939
776 0 8 _iPrinted edition:
_z9783031536946
856 4 0 _uhttps://doi.org/10.1007/978-3-031-53692-2
912 _aZDB-2-LCM
912 _aZDB-2-SXL
999 _c59093
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