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020 _a9783031468223
_9978-3-031-46822-3
024 7 _a10.1007/978-3-031-46822-3
_2doi
050 4 _aNX161
072 7 _aAP
_2bicssc
072 7 _aPER004000
_2bisacsh
072 7 _aAT
_2thema
100 1 _aNissen, Annie.
_eauthor.
_4aut
_4http://id.loc.gov/vocabulary/relators/aut
_975736
245 1 0 _aAuthors and Adaptation
_h[electronic resource] :
_bWriting Across Media in the Nineteenth and Early Twentieth Centuries /
_cby Annie Nissen.
250 _a1st ed. 2024.
264 1 _aCham :
_bSpringer Nature Switzerland :
_bImprint: Palgrave Macmillan,
_c2024.
300 _aXII, 252 p. 15 illus., 5 illus. in color.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 1 _aPalgrave Studies in Adaptation and Visual Culture,
_x2634-6303
505 0 _aChapter 1: Introduction -- Chapter 2: Copyright Law, Authorial Ownership, and Adaptation Between Novels and Plays in Nineteenth-Century Britain -- Chapter 3: Changes in Writer Stratifications across Media in Nineteenth-Century Britain -- Chapter 4: Adaptation, Ownership, and the Emergence of Narrative Film -- Chapter 5: Literary Writers and Filmmaking Practices in Silent Cinema -- Chapter 6: Literary Writers and Early Sound Film: Experimental Writing -- Chapter 7: Conclusion.
520 _a“Like a reporter covering nineteenth-century copyright trials, public debates between prominent authors, and major legislative developments, Annie Nissen weaves through a range of examples of writers, including Charles Dickens, Mary Elizabeth Braddon, and George Bernard Shaw, and the many adaptations of their books for stage and screen. This book provides a detailed picture of the business of authorship and adaptation across page, theater, and early film. Enlightening and indispensable.” —Lissette Lopez Szwydky, PhD, Associate Professor, University of Arkansas, USA “Nissen does an outstanding job of pushing deep into a complex matrix of issues. This is an impressive piece of scholarship and an excellent resource for adaptation studies.” —Glenn Jellenik, Associate Professor of English, University of Central Arkansas, USA “Spanning a wide range of authors and a long historical arc, Authors and Adaptation offers important new information about and insights into literature, theatre, film, and adaptation studies. Nissen resurrects theoretically and historically dead authors as live writers creating and critiquing intermedial adaptations, invaluably bridging gaps between theory and practice as well as between disciplines, media, and periods.” —Kamilla Elliott, Professor of Literature and Media, Lancaster University, UK This book studies British literary writers’ engagement with adaptations of their work across literary, theatrical, and film media in the nineteenth and early twentieth centuries. It considers their critical, reflective, and autobiographical writings about the process of adaptation, and traces how their work was shaped, as well as delimited, by their involvement with adaptations to different media and intermedial writing. Linking canonical and non-canonical writers both chronologically and contemporaneously, and bridging studies of prose fiction adaptation from nineteenth-century theatre to early twentieth-century film, this book offers an interdisciplinary, transhistorical, cultural, and analytical study of adaptation and the variable positions of writers within and across media. Annie Nissen currently works at Lancaster University, UK, where she has been an Associate Lecturer for both Film Studies and English Literature and a Research Associate for the ‘Cinema Memory and the Digital Archive’ project. .
650 0 _aAdaptation (Literary, artistic, etc.).
_967648
650 1 4 _aAdaptation Studies.
_967652
710 2 _aSpringerLink (Online service)
773 0 _tSpringer Nature eBook
776 0 8 _iPrinted edition:
_z9783031468216
776 0 8 _iPrinted edition:
_z9783031468230
776 0 8 _iPrinted edition:
_z9783031468247
830 0 _aPalgrave Studies in Adaptation and Visual Culture,
_x2634-6303
_969799
856 4 0 _uhttps://doi.org/10.1007/978-3-031-46822-3
912 _aZDB-2-LCM
912 _aZDB-2-SXL
999 _c59369
_d59369