| 000 | 03545nam a22005535i 4500 | ||
|---|---|---|---|
| 001 | 978-3-031-55932-7 | ||
| 003 | DE-He213 | ||
| 005 | 20251030112011.0 | ||
| 007 | cr nn 008mamaa | ||
| 008 | 240425s2024 sz | s |||| 0|eng d | ||
| 020 |
_a9783031559327 _9978-3-031-55932-7 |
||
| 024 | 7 |
_a10.1007/978-3-031-55932-7 _2doi |
|
| 050 | 4 | _aPN1922-1929 | |
| 072 | 7 |
_aJFCA _2bicssc |
|
| 072 | 7 |
_aASZB _2bicssc |
|
| 072 | 7 |
_aPER015000 _2bisacsh |
|
| 072 | 7 |
_aJBCC1 _2thema |
|
| 072 | 7 |
_aATXD _2thema |
|
| 100 | 1 |
_aSedgwick, Claire. _eauthor. _4aut _4http://id.loc.gov/vocabulary/relators/aut _975765 |
|
| 245 | 1 | 0 |
_aInequality in Contemporary Stand-Up Comedy in the UK _h[electronic resource] / _cby Claire Sedgwick. |
| 250 | _a1st ed. 2024. | ||
| 264 | 1 |
_aCham : _bSpringer Nature Switzerland : _bImprint: Palgrave Macmillan, _c2024. |
|
| 300 |
_aXI, 96 p. _bonline resource. |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 347 |
_atext file _bPDF _2rda |
||
| 490 | 1 |
_aPalgrave Studies in Comedy, _x2731-4340 |
|
| 505 | 0 | _aChapter 1: Introduction: Understanding Comedy as a Cultural Industry -- Chapter 2 : Comedy, Diversity, and the Hegemonic Comedian -- Chapter 3: Exploring Inequality in Comedy in the East Midlands and Challenging Inequality -- Chapter 4: COVID-19, Precarity and Comedy -- Chapter 5: Conclusion: The Future of Comedy. | |
| 520 | _aThis Pivot explores the cultural economy of comedy in the UK, looking specifically at the links between industry practices and structures and who produces comedy in the UK. The research is based on interviews with comedians in the East Midlands; significantly, this demographic has been historically under-researched in studies of precarity, where the East Midlands is typically overlooked in discussions of arts funding and access in favour of a more simplistic north/south divide narrative. Similarly, whilst there has been increased discussion of the precarity of the creative and cultural industries, as well as media articles on the difficulty of breaking into comedy as a member of a marginalised group, there has been relatively little academic research to support this. While Friedman’s work in particular has been helpful for understanding the link between comedy producers, class and taste making, there has been less attention paid to the sociologies of work within comedy. This book fills these gaps in research by exploring the experiences of comedians in the East Midlands, contributing to the rich body of scholarship on inequality in the cultural industries and promoting a better understanding of the impact of structural inequalities and precarity on access to the cultural industries. . | ||
| 650 | 0 |
_aComedy. _968021 |
|
| 650 | 0 |
_aEthnology _xGreat Britain. _968605 |
|
| 650 | 0 |
_aCulture. _959159 |
|
| 650 | 1 | 4 |
_aComedy Studies. _968024 |
| 650 | 2 | 4 |
_aBritish Culture. _968607 |
| 710 | 2 | _aSpringerLink (Online service) | |
| 773 | 0 | _tSpringer Nature eBook | |
| 776 | 0 | 8 |
_iPrinted edition: _z9783031559310 |
| 776 | 0 | 8 |
_iPrinted edition: _z9783031559334 |
| 830 | 0 |
_aPalgrave Studies in Comedy, _x2731-4340 _975766 |
|
| 856 | 4 | 0 | _uhttps://doi.org/10.1007/978-3-031-55932-7 |
| 912 | _aZDB-2-LCM | ||
| 912 | _aZDB-2-SXL | ||
| 999 |
_c59384 _d59384 |
||