000 05514nam a22005655i 4500
001 978-3-031-51804-1
003 DE-He213
005 20251030112016.0
007 cr nn 008mamaa
008 240428s2024 sz | s |||| 0|eng d
020 _a9783031518041
_9978-3-031-51804-1
024 7 _a10.1007/978-3-031-51804-1
_2doi
050 4 _aP99.4.I58
072 7 _aDSA
_2bicssc
072 7 _aLIT006000
_2bisacsh
072 7 _aDSA
_2thema
245 1 0 _aHybridity in Life Writing
_h[electronic resource] :
_bCombining Text and Images /
_cedited by Arnaud Schmitt.
250 _a1st ed. 2024.
264 1 _aCham :
_bSpringer Nature Switzerland :
_bImprint: Palgrave Macmillan,
_c2024.
300 _aXII, 296 p. 15 illus. in color.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 1 _aPalgrave Studies in Life Writing,
_x2730-9193
505 0 _a1 Introduction, Arnaud Schmitt -- Section I. Photography, text, photographic texts_2 Teresa Bruś, ‘Arenas of Hybridity’ -- 3 Nancy Pedri, ‘Photography, Intermediality, and Graphic Illness Narratives’ -- 4 Griselda Pollock in dialogue with Joanne Leonard, ‘Hybrid forms of Becoming in Being in Pictures: An Intimate Photo Memoir (2008)’ -- 5 Laure de Nervaux-Gavoty, ‘In Search of a Lost Past: Family Photography and Postmemory in Michael Ignatieff’s The Russian Album (1987)’ -- 6 Clare Brant, ‘Inserting the Manfish: hybridity in underwater memoir illustrations’ -- 7 Silvia Hernández, ‘Beyond Authentication: Text and Image in Patti Smith’s Autobiographical Prose Work’ -- 8 Marie-Agnès Gay, ‘“Moving shadows disappearing”: Erasure of Self in Theresa Hak Kyung Cha’s Autobiographical “Photo-Essay”’ (Exilée – Temps Morts – Selected Works) -- 9 Anne Green Munk, ‘Picturing ourselves through others – Text and Photography in Sally Mann’s Hybrid Life Writing’ -- 10 Veronica Ceruti, ‘Writing a Life Written in Pictures: Postmemorial Phototextualities in Helena Janeczek’s La ragazza con la Leica (2017)’ -- Section II. The materialities of hybridity: artists, autobiographies, textualities, images and graphic narratives_11 Julia Watson, ‘“This Counter-history”: Teju Cole’s Pandemic Visual Diary on the Kitchen as a Domestic/Postcolonial Medi[t]ation’ -- 12 Anthony S. Foy, ‘Black Bodies, Displayed and Displaced: African American Autobiography after the Halftone’ -- 13 Alex Belsey, ‘“Leaving the marks in”: the Dialectic of Journal & Drawings by Keith Vaughan’ -- 14 Virginia Terry-Sherman, ‘Ambiguous, Enigmatic and Absent Imagery in Contemporary Culinary Memoirs’ -- 15 Suzanne Joinson, ‘Messy Archives of the Self: Life Books and Ephemera of Carolee Schneemann and Francesca Woodman’ -- 16 Natalie Saudo-Welby, ‘Sounds and Silence made Visible: Cece Bell’s El Deafo (2014)’ -- 17 Hélène Tison, ‘Allie Brosh’s Hateful Narcissism’ -- 18 Pablo Allepuz García, ‘Autobiographyto Self-Portraiture, or Vice-versa: Narrativity and Visuality in Artists’ Life Writing’.
520 _aThis book offers new perspectives on text/image hybridity in the context of life writing. Each chapter explores the very topical issue of how writers and artists combine two media in order to enhance the autobiographical narrative and experience of the reader. It questions the position of images in relation to text, both on the page and in terms of the power balance between media. It also shows how hybridity operates beyond a semantic and cultural balance of power, as the combination of text and images is able to produce content that would not have been possible separately. Including a range of life writing and different visual media, from paintings and photography to graphic memoirs and social media, this edited collection investigates the point at which an image, whether fixed or moving, enters the autobiographical act and confronts the verbal form. Arnaud Schmitt is a professor of American Studies at the University of Pau, France. His field of research is contemporary American literature and he has worked extensively on the concepts of autofiction and self-narration for almost two decades. His book, The Photographer as Autobiographer, was published by Palgrave Macmillan in 2022.
650 0 _aIntermediality.
_975933
650 0 _aCreative nonfiction.
650 0 _aCulture
_xStudy and teaching.
_966082
650 0 _aProse literature.
_968654
650 1 4 _aIntermediality.
_975933
650 2 4 _aNon-Fiction Literature.
650 2 4 _aVisual Culture.
_966084
650 2 4 _aNarrative Text and Prose.
_968655
700 1 _aSchmitt, Arnaud.
_eeditor.
_0(orcid)0000-0001-9570-9562
_1https://orcid.org/0000-0001-9570-9562
_4edt
_4http://id.loc.gov/vocabulary/relators/edt
_975934
710 2 _aSpringerLink (Online service)
773 0 _tSpringer Nature eBook
776 0 8 _iPrinted edition:
_z9783031518034
776 0 8 _iPrinted edition:
_z9783031518058
776 0 8 _iPrinted edition:
_z9783031518065
830 0 _aPalgrave Studies in Life Writing,
_x2730-9193
_968657
856 4 0 _uhttps://doi.org/10.1007/978-3-031-51804-1
912 _aZDB-2-LCM
912 _aZDB-2-SXL
999 _c59461
_d59461