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020 _a9783031498992
_9978-3-031-49899-2
024 7 _a10.1007/978-3-031-49899-2
_2doi
050 4 _aHB172
072 7 _aKCC
_2bicssc
072 7 _aBUS044000
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072 7 _aKCC
_2thema
100 1 _aByun, Christie.
_eauthor.
_4aut
_4http://id.loc.gov/vocabulary/relators/aut
_975975
245 1 4 _aThe Economics of the Popular Music Industry
_h[electronic resource] :
_bModelling from Microeconomic Theory and Industrial Organization /
_cby Christie Byun.
250 _a2nd ed. 2024.
264 1 _aCham :
_bSpringer Nature Switzerland :
_bImprint: Palgrave Macmillan,
_c2024.
300 _aIX, 246 p. 11 illus., 4 illus. in color.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 _a1. Introduction -- 2. Consuming Music -- 3. Basic Producer Theory -- 4. The Music Industry Disrupted: The COVID Era -- 5. The Global Marketplace for Music -- 6. Conclusion.
520 _aThis book uses economic theory to explain how consumers and producers have responded to major changes in the music industry. Byun examines the important role of technology in changing its structure, particularly as new methods of creating and accessing music prove to be a double-edged sword for creators and producers. This second edition includes new information about concert attendance and live performance in the COVID era and what followed, as well as the resultant economic impacts on the industry. Throughout the book, Byun questions how the business of music affects creativity and the extent to which this impacts the creative output of the individual artist. Chapters also address copyright enforcement and online piracy. This is an approachable resource for economists interested in the music industry as well as business and music majors studying the ways in which technology can impact a creative process. Christie Byun is Associate Professor of Economics at Wabash College in the USA. She teaches courses on statistics, econometrics, entrepreneurship, environmental economics, and the fashion industry. Byun has done extensive research on the changes in the music industry using applied economic theory.
650 0 _aMicroeconomics.
_958393
650 0 _aEconomic history.
_957506
650 0 _aIndustrial organization.
_957885
650 0 _aMusic theory.
_974241
650 1 4 _aMicroeconomics.
_958393
650 2 4 _aEconomic History.
_957506
650 2 4 _aIndustrial Organization.
_957885
650 2 4 _aTheory of Music.
_974242
710 2 _aSpringerLink (Online service)
773 0 _tSpringer Nature eBook
776 0 8 _iPrinted edition:
_z9783031498985
776 0 8 _iPrinted edition:
_z9783031499005
776 0 8 _iPrinted edition:
_z9783031499012
856 4 0 _uhttps://doi.org/10.1007/978-3-031-49899-2
912 _aZDB-2-ECF
912 _aZDB-2-SXEF
999 _c59479
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