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020 _a9789819720347
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024 7 _a10.1007/978-981-97-2034-7
_2doi
050 4 _aP87-96
072 7 _aJFD
_2bicssc
072 7 _aSOC052000
_2bisacsh
072 7 _aJBCT1
_2thema
100 1 _aHuang, Ying.
_eauthor.
_4aut
_4http://id.loc.gov/vocabulary/relators/aut
_976204
245 1 0 _aEar Economy
_h[electronic resource] :
_bChina Audio Streaming Programs Study /
_cby Ying Huang.
250 _a1st ed. 2024.
264 1 _aSingapore :
_bSpringer Nature Singapore :
_bImprint: Palgrave Macmillan,
_c2024.
300 _aXVII, 298 p. 35 illus., 33 illus. in color.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 _aPart I: The development of China's audio streaming programs -- Chapter 1: Background of the birth and development of China audio streaming programs -- Chapter 2: The history of audio in China -- Part II: Research on China's Internet Audio Program Industry in Comparative Perspective (2011-2022) -- Chapter 3: U.S. Podcast Industry 2011-2022 -- Chapter 4: British Podcast Industry 2011-2022 -- Chapter 5: World audiobook development 2011-2022 -- Chapter 6: China Podcast Industry 2011 - 2022 -- Chapter 7: The development of audiobooks in China from 2011 to 2022 -- Chapter 8: the current situation and trends in knowledge audio development around the world after 2011 -- Chapter 9: Status and Trends of Knowledge-Based Audio Development in China after 2011 -- Part III: Research on the development platform of Audio Streaming Programs -- Chapter 10: XiaoyuzhouFM -- Chapter 12: Himalaya -- Chapter 13: Missevan App -- Part IV: China Audio Streaming Programs IV -- Chapter 14: JustPod -- Chapter 15 ShengFM -- Chapter 16: Killing TV -- Chapter 17: The Book is Done -- Part V The Case Study of Audio Streaming Programming -- Chapter 18: Serial -- Chapter 19: Welcome Back To Sound -- Chapter 20: The Three-Body Problem -- Chapter 21: We Know Nothing -- Chapter 22: Analyses of the audience for Grandmaster of Demonic Cultivation -- Part VI Study on the Development Trend of Ear Economy in the Context of Global Audiovisual Ecology -- Chapter 23: Research on cultural tourism is empowered by podcasts -- Chapter 24: Podcasts as a Creative Tool for Film and Television -- Chapter 25: Study on Podcasting Empowered Brands.
520 _aThis book sheds light on the overall description and explanation of the current socio-political, economic and cultural environment concerning the development of China's audio streaming programs industry. It interprets the emergence of the “ear economy” through the subjects of media ecology, media psychology, communication studies and cultural criticism, media industrial studies, sociology and anthropology. The book skillfully weaves together historical, cultural, and industry studies, along with textual and critical discourse analysis. This interdisciplinary work contributes to multiple academic fields including literary and cultural studies, media and communication studies, China/Asia studies, and political theory. Ying Huang is an Assistant Professor, Academy of Film, Macau University of Science and Technology, a post-doctoral fellow in School of Journalism and Communication, Tsinghua University.
650 0 _aDigital media.
_959274
650 0 _aMass media and culture.
_967749
650 0 _aCommunication and traffic.
_967737
650 0 _aCommunication.
_959615
650 0 _aInformation theory.
_957783
650 0 _aMass media.
_91769
650 1 4 _aDigital and New Media.
_965945
650 2 4 _aMedia Culture.
_967751
650 2 4 _aMedia Industries.
_967740
650 2 4 _aMedia and Communication Theory.
_971787
650 2 4 _aMedia Sociology.
_969143
710 2 _aSpringerLink (Online service)
773 0 _tSpringer Nature eBook
776 0 8 _iPrinted edition:
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776 0 8 _iPrinted edition:
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776 0 8 _iPrinted edition:
_z9789819720361
856 4 0 _uhttps://doi.org/10.1007/978-981-97-2034-7
912 _aZDB-2-LCM
912 _aZDB-2-SXL
999 _c59578
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