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020 _a9783031557255
_9978-3-031-55725-5
024 7 _a10.1007/978-3-031-55725-5
_2doi
050 4 _aPN2000-3307
072 7 _aAN
_2bicssc
072 7 _aPER011000
_2bisacsh
072 7 _aATD
_2thema
100 1 _aSmith, Bobby.
_eauthor.
_4aut
_4http://id.loc.gov/vocabulary/relators/aut
_976653
245 1 0 _aTheatre and Global Development
_h[electronic resource] :
_bPerforming Partnerships /
_cby Bobby Smith.
250 _a1st ed. 2024.
264 1 _aCham :
_bSpringer International Publishing :
_bImprint: Palgrave Macmillan,
_c2024.
300 _aXVII, 239 p. 5 illus.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
520 _aHow do theatre and development partnerships operate? What issues impede collaborations between various institutions and individuals? Why do relations between global North and South partners often fail to reflect important values such as equality, reciprocity and mutual benefit? This is the first book to examine theatre and global development partnerships. It focusses on the UK and East African countries of Kenya, Rwanda and Uganda, presenting the author’s own experiences, case study analyses and perspectives from practitioners and scholars involved in theatre and development. It argues that simplistic binaries pervade partnerships, whereby the global North is regarded as ‘modern’ and ‘developed’ versus the ‘under-developed’ global South. This results in unequal power relations between collaborators, less effective projects with communities, and a lack of reciprocity and mutual benefit. Consequently, this book revitalises how we conceptualise partnerships. Issues such as widening inequalities, conflict, health and the climate crisis impact all countries. How, then, can we work across borders to support interconnected learning and action on these challenges? In this regard, principles of solidarity and mutual responsibility, as well as critical openness, enable us to reflect honestly about the failures of the partnerships we participate in and move beyond simplistic binaries of global North and South. The book is of importance to applied and socially engaged performance scholars and practitioners, and to development workers interested in arts and social change. Bobby Smith is Associate Professor of Theatre and Performance Studies and course director of the MA Applied Theatre at the University of Warwick, UK. Through his research, creative practice and teaching he aims to develop innovative approaches to activism, education, and social change. He has worked internationally to explore issues including violence prevention, health education, peacebuilding and the climate crisis.
650 0 _aTheater.
_966691
650 0 _aTheater
_xHistory.
_966689
650 0 _aEconomic development.
_958075
650 1 4 _aGlobal and International Theatre and Performance.
_966696
650 2 4 _aContemporary Theatre and Performance.
650 2 4 _aDevelopment Studies.
_967851
650 2 4 _aApplied Theatre.
_967781
710 2 _aSpringerLink (Online service)
773 0 _tSpringer Nature eBook
776 0 8 _iPrinted edition:
_z9783031557248
776 0 8 _iPrinted edition:
_z9783031557262
776 0 8 _iPrinted edition:
_z9783031557279
856 4 0 _uhttps://doi.org/10.1007/978-3-031-55725-5
912 _aZDB-2-LCM
912 _aZDB-2-SXL
999 _c59777
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