| 000 | 03464nam a22005295i 4500 | ||
|---|---|---|---|
| 001 | 978-3-031-40143-5 | ||
| 003 | DE-He213 | ||
| 005 | 20251030112038.0 | ||
| 007 | cr nn 008mamaa | ||
| 008 | 240513s2024 sz | s |||| 0|eng d | ||
| 020 |
_a9783031401435 _9978-3-031-40143-5 |
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| 024 | 7 |
_a10.1007/978-3-031-40143-5 _2doi |
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| 050 | 4 | _aML3469-3543 | |
| 072 | 7 |
_aAVGN _2bicssc |
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| 072 | 7 |
_aMUS029000 _2bisacsh |
|
| 072 | 7 |
_aAVLP _2thema |
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| 100 | 1 |
_aFroneman, Willemien. _eauthor. _4aut _4http://id.loc.gov/vocabulary/relators/aut _976699 |
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| 245 | 1 | 4 |
_aThe Groovology of White Affect _h[electronic resource] : _bBoeremusiek and the Enregisterment of Race in South Africa / _cby Willemien Froneman. |
| 250 | _a1st ed. 2024. | ||
| 264 | 1 |
_aCham : _bSpringer Nature Switzerland : _bImprint: Palgrave Macmillan, _c2024. |
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| 300 |
_aXV, 231 p. 29 illus., 11 illus. in color. _bonline resource. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | _a1. Boeremusiek’s “Heart-Speech” -- 2. The Riches of Embarrassment -- 3. Blackfaced Boeremusiek and the Racial Grotesque -- 4. Epiphanies of Postcolonial Radiance -- 5. Disavowal and the Perverted Mind of Apartheid -- 6. The Groovology of White Affect. | |
| 520 | _aThe Groovology of White Affect theorizes white aesthetics and race formation in South Africa from a position immersed in the sonic. Mining boeremusiek’s “heart-speech” across two centuries of reception, the book offers a theory of race formation steeped in the music’s vernacular language and practices, and situated within South Africa's race ideologies. The book’s chapters identify and explore boeremusiek's affective modalities: embarrassment, blackface, epiphany, and disavowal. The book then theorizes indexicality and music, affect, and whiteness as interlinked ontologies. When considered together, the book argues, boeremusiek’s modalities outline the parameters of a corrupted white aesthetic faculty that help explain how whiteness perpetuates itself in the present day. Racism is thereby defined not primarily as a matter of prejudice, but as a matter of (conditional) pleasure and (pathological) taste. The Groovology of White Affect articulates a sound studies from the South; it is an attempt to write in a South Africa-centered way—amidst the collapse of colonial disciplines and a resulting disciplinary and methodological catholicism—for a broad, international audience interested in the affective constitution of race and racism. | ||
| 650 | 0 |
_aPopular music. _966807 |
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| 650 | 0 |
_aMusic _xHistory and criticism. _967736 |
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| 650 | 0 |
_aEthnology _xAfrica. _966792 |
|
| 650 | 0 |
_aCulture. _959159 |
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| 650 | 1 | 4 |
_aPopular Music. _966807 |
| 650 | 2 | 4 |
_aHistory of Music. _968649 |
| 650 | 2 | 4 |
_aAfrican Culture. _966793 |
| 710 | 2 | _aSpringerLink (Online service) | |
| 773 | 0 | _tSpringer Nature eBook | |
| 776 | 0 | 8 |
_iPrinted edition: _z9783031401428 |
| 776 | 0 | 8 |
_iPrinted edition: _z9783031401442 |
| 776 | 0 | 8 |
_iPrinted edition: _z9783031401459 |
| 856 | 4 | 0 | _uhttps://doi.org/10.1007/978-3-031-40143-5 |
| 912 | _aZDB-2-LCM | ||
| 912 | _aZDB-2-SXL | ||
| 999 |
_c59800 _d59800 |
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