| 000 | 03617nam a22005775i 4500 | ||
|---|---|---|---|
| 001 | 978-3-031-36682-6 | ||
| 003 | DE-He213 | ||
| 005 | 20251030112059.0 | ||
| 007 | cr nn 008mamaa | ||
| 008 | 240527s2024 sz | s |||| 0|eng d | ||
| 020 |
_a9783031366826 _9978-3-031-36682-6 |
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| 024 | 7 |
_a10.1007/978-3-031-36682-6 _2doi |
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| 050 | 4 | _aGN429-437 | |
| 050 | 4 | _aNX180.A58 | |
| 072 | 7 |
_aJHMC _2bicssc |
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| 072 | 7 |
_aSOC002000 _2bisacsh |
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_aJHMC _2thema |
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| 100 | 1 |
_aFeder-Nadoff, Michele Avis. _eauthor. _4aut _4http://id.loc.gov/vocabulary/relators/aut _977468 |
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| 245 | 1 | 3 |
_aAn Anthropology of Making in Santa Clara del Cobre _h[electronic resource] : _bPresence of Absence / _cby Michele Avis Feder-Nadoff. |
| 250 | _a1st ed. 2024. | ||
| 264 | 1 |
_aCham : _bSpringer International Publishing : _bImprint: Palgrave Macmillan, _c2024. |
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| 300 |
_aXXXIII, 484 p. 63 illus. _bonline resource. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | _a1. Un-finishing Memory -- 2. Field of Corn -- 3. Forge: Hearth and Home -- 4. The Copper Fair -- 5. Person and Place: The Life-World of Maestro Jesús Pérez Ornelas -- 6. The Good Piece: An Aesthetics of Making -- 7. Aesthetics of Memory and Use -- 8. Aesthetics of Time and Space -- 9. Aesthetics of Abduction and Fragmentation -- 10. Restoring Aura: Straight from the Heart. | |
| 520 | _aThis book offers a nuanced reflection on the meaning of making and artisan agency, demonstrating how copper-smithing produces not only objects, but also lives, worlds, meanings, and social transformation. Through long-term ethnography, grounded in apprenticeship to master coppersmith Jesús Pérez Ornelas, Feder-Nadoff’s intimate description of communal and artisanal life in Santa Clara del Cobre, Michoacán, México provides a critical reappraisal of aesthetics and compelling ways to think about how aura and agency are produced. By mapping flows and frictions between persons, places, and things, this study closes the gap between economic and socio-political analysis of craft, on the one hand, and aesthetic, material, and phenomenological studies of making, on the other. Although craft historically plays a prominent national, even ideological role in Mexico, as in many countries, most artisans ironically remain absent, often living in marginalized, precarious circumstances. By tracing the cycles of life, death, and afterlife, of these maker-protagonists, their bodies of knowledge, skilled performances, and objects, this poetic monograph testifies to their presence. | ||
| 650 | 0 |
_aAnthropology and the arts. _973106 |
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| 650 | 0 |
_aEthnology. _958687 |
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| 650 | 0 |
_aPhilosophical anthropology. _977368 |
|
| 650 | 0 |
_aAnthropology. _960002 |
|
| 650 | 0 |
_aEthnology _xLatin America. _966136 |
|
| 650 | 0 |
_aCulture. _959159 |
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| 650 | 1 | 4 |
_aAnthropology of the Arts. _973107 |
| 650 | 2 | 4 |
_aEthnography. _970800 |
| 650 | 2 | 4 |
_aAnthropological Theory. _977469 |
| 650 | 2 | 4 |
_aLatin American Culture. _966140 |
| 710 | 2 | _aSpringerLink (Online service) | |
| 773 | 0 | _tSpringer Nature eBook | |
| 776 | 0 | 8 |
_iPrinted edition: _z9783031366819 |
| 776 | 0 | 8 |
_iPrinted edition: _z9783031366833 |
| 776 | 0 | 8 |
_iPrinted edition: _z9783031366840 |
| 856 | 4 | 0 | _uhttps://doi.org/10.1007/978-3-031-36682-6 |
| 912 | _aZDB-2-SLS | ||
| 912 | _aZDB-2-SXS | ||
| 999 |
_c60139 _d60139 |
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