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024 7 _a10.1007/978-3-031-55217-5
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050 4 _aML3469-3543
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072 7 _aMUS029000
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245 1 0 _aEssays on Music, Adolescence, and Identity
_h[electronic resource] :
_bThe Adolescentia Project /
_cedited by Mary Beth Ray.
250 _a1st ed. 2024.
264 1 _aCham :
_bSpringer Nature Switzerland :
_bImprint: Palgrave Macmillan,
_c2024.
300 _aXVII, 228 p. 3 illus.
_bonline resource.
336 _atext
_btxt
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337 _acomputer
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338 _aonline resource
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505 0 _aChapter 1: Introduction – The Adolescentia Project -- Chapter 2: Part I – The 1980s -- Chapter 3: Something I can say, something I can do: I’ve come for my Emotional Rescue -- Chapter 4: “What’s it like to be a fucked-up teenager?”: Violent Femmes, A Primal Scream for Generation X -- Chapter 5: Cultivating a Rebel Without a Pause -- Chapter 6: Part II – The 1990s -- Chapter 7: “A Long Way from Boston”: Loving and Listening to New Kids on the Block as a Jamaican Adolescent -- Chapter 8: The Magic of “Blacks’ Magic” -- Chapter 9: Prude Pirates and other Contradictory Bodies: Gender, Ideology, and Identity in Adolescence -- Chapter 10: “Destroy the mind, destroy the body, but you cannot destroy the heart”: Mellon Collie and the Infinite Sadness, and the reclamation of a teenage fat body during the “Age of Fatphobia” -- Chapter 11: Rage Against the Machine’s Evil Empire: An Autoethnography of Music and Political Socialization in Early Adolescence -- Chapter 12: “What am I supposed to do?” Cher’s “Believe” and the Siren Call of a Gay Icon -- Chapter 13: Part III – The 2000s -- Chapter 14: Everything Will Change: Revisiting The Postal Service’s Give Up -- Chapter 15: OutKast’s Speakerboxxx/The Love Below: Musical Theatre, Performance, and Style -- Chapter 16: (Nonbinary Panic!) at the Disco: A Fever You Can’t Sweat Out -- Chapter 17: “I’m All Out of Love”: Nostalgic Music through the Lens of a Queer Asian Immigrant -- Chapter 18: Raising my voice: Japanese visual kei and musical (self-)discovery -- Chapter 19: The Little Trans Monster: Gender Actualization and Lady Gaga’s The Fame Monster -- Chapter 20: Conclusion: Looking Back and Moving Forward – The Courage to Become Who We Are.
520 _aEssays on Music, Adolescence, and Identity: The Adolescentia Project explores music consumption, self-discovery, media culture, and memory through autoethnographic essays on albums we loved during adolescence covering three decades (1980-2010) as the music industry and socio-cultural identity landscapes in the United States significantly changed. By examining these influential albums, we can better understand the role of popular culture in identity construction and the long-term impact of these formative musical experiences. Dr. Mary Beth Ray is an Associate Professor and Chair of Communication & Media Studies and Co-Chair of Women, Gender, & Sexuality Studies at Plymouth State University who writes about internet culture, gender, and popular music. She holds a Ph.D. from Temple University’s Mass Media and Communication Program and an M.A. in Media Studies from Syracuse University’s Newhouse School of Public Communication. Dr. Ray is a long-time co-chair for the Popular Culture Association’s Internet Culture Area, as well as co-chair of the Mid-Atlantic Popular/American Culture Association’s Music Area. Her first book Digital Connectivity and Music Culture – Artists & Accomplices (2017), was published by Palgrave MacMillan.
650 0 _aPopular music.
_966807
650 0 _aYouth
_xSocial life and customs.
_966571
650 1 4 _aPopular Music.
_966807
650 2 4 _aPop and Rock.
_966809
650 2 4 _aYouth Culture.
_966573
700 1 _aRay, Mary Beth.
_eeditor.
_4edt
_4http://id.loc.gov/vocabulary/relators/edt
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710 2 _aSpringerLink (Online service)
773 0 _tSpringer Nature eBook
776 0 8 _iPrinted edition:
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776 0 8 _iPrinted edition:
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776 0 8 _iPrinted edition:
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856 4 0 _uhttps://doi.org/10.1007/978-3-031-55217-5
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