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020 _a9783031544316
_9978-3-031-54431-6
024 7 _a10.1007/978-3-031-54431-6
_2doi
050 4 _aBL60
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_2bicssc
072 7 _aJFSR
_2bicssc
072 7 _aSOC039000
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_2thema
100 1 _aBurgos, Daniel.
_eauthor.
_4aut
_4http://id.loc.gov/vocabulary/relators/aut
_978695
245 1 0 _aRituals and Music in Europe
_h[electronic resource] :
_bAn ethnological study through data analytics /
_cby Daniel Burgos.
250 _a1st ed. 2024.
264 1 _aCham :
_bSpringer Nature Switzerland :
_bImprint: Springer,
_c2024.
300 _aXXIII, 218 p. 58 illus.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 1 _aNew Approaches to the Scientific Study of Religion,
_x2367-3508 ;
_v13
505 0 _aChapter 1. Introduction to this book -- Chapter 2. Literature review: systematic review -- Chapter 3. Literature review: types of rituals -- Chapter 4. Literature review: the concept of ritual -- Chapter 5. Literature review: functions and means of the ritual -- Chapter 6. Literature review: the role of music in modern european rituals -- Chapter 7. Research on rituals and music -- Chapter 8. Findings and discussion -- Chapter 9. Conclusions and recommendations.
520 _aThis book explores modern European religious and non-religious rituals and their main features by focusing on music as a key element required for the full expression of beliefs. It specifically examines the relationship between religious, non-religious, pagan, cultural, celebratory, and traditional rituals. In doing so, this text focuses on the extent to which the rituals overlap, replace, or feed religious or pseudo-religious beliefs to create alternative beliefs (individual or collective) that systematically ignore any religion. The book further analyses the relationship between daily habits, holidays, sports, politics, culture, and other pagan rituals as forms that represent social feelings by identifying, enjoying, or impersonating emotions; and transversally, it explores how music facilitates and fosters those emotions. The volume also investigates how rituals coexist and mutually influence each other through a representation of religious and non-religious rituals, and how music plays a central role in that phenomenology. The author argues that music is a key part of various types of rituals (e.g. rites of passage), and that music supports and enriches the meaning of the ritual, to ultimately strengthen the bond of communication with the individual and the group. This monograph appeals to students and researchers working in religious studies and in music theory. .
650 0 _aReligion and sociology.
_968604
650 0 _aMusic theory.
_974241
650 0 _aAnthropology of religion.
650 0 _aEthnology.
_958687
650 1 4 _aSociology of Religion.
_968606
650 2 4 _aTheory of Music.
_974242
650 2 4 _aAnthropology of Religion.
650 2 4 _aEthnology.
_958687
710 2 _aSpringerLink (Online service)
773 0 _tSpringer Nature eBook
776 0 8 _iPrinted edition:
_z9783031544309
776 0 8 _iPrinted edition:
_z9783031544323
776 0 8 _iPrinted edition:
_z9783031544330
830 0 _aNew Approaches to the Scientific Study of Religion,
_x2367-3508 ;
_v13
_978696
856 4 0 _uhttps://doi.org/10.1007/978-3-031-54431-6
912 _aZDB-2-REP
912 _aZDB-2-SXPR
999 _c60727
_d60727