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020 _a9783031585098
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024 7 _a10.1007/978-3-031-58509-8
_2doi
050 4 _aMT5.5-7
072 7 _aAVA
_2bicssc
072 7 _aMUS041000
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072 7 _aAVA
_2thema
100 1 _aMâche, François-Bernard.
_eauthor.
_4aut
_4http://id.loc.gov/vocabulary/relators/aut
_979011
245 1 0 _aPhonurgia Universalis: Universals in Music
_h[electronic resource] /
_cby François-Bernard Mâche.
250 _a1st ed. 2024.
264 1 _aCham :
_bSpringer Nature Switzerland :
_bImprint: Springer,
_c2024.
300 _aXII, 238 p. 23 illus.
_bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 1 _aNumanities - Arts and Humanities in Progress,
_x2510-4438 ;
_v28
505 0 _a1 Theme The Search for the Universal -- 2 Analysis Distributional analysis, advantages and limitations Its provisional relevance in the search for archetypes -- 3 Animal polyphonies Universality of polyphonies Analogy with animal choirs and duets Possible purposes -- 4 Archetype Where to look for the models of human musical nature? -- 5 Convergence Analogies or homologies between animal signals and human music The shortcomings of culturalism, and in particular of diffusionism -- 6 Fixed forms The formal organisations of poems are sonorous and concern the problem of the common origins of music and language The forms of repetition constitute their essential part -- 7 Genotype Shorthand and programmes Animal and human examples of alternation and conflict -- 8 Innate Interaction of the innate and the acquired Archetypes as innate schemes -- 9 Language and music Hypothesis of common origin, explaining strong formal analogies Mantras, glossolalies, lettrism Language models for the composer -- 10 Litany Close union of language and music in the litany The four magical, laudative, didactic and rhetorical functions, and their links with musical forms -- 11 Models Pure music or external models Antiquity of problems, from Plato to Rousseau Global models and analysis -- 12 Modernity Modernity and individualism Post-modernity and pastism -- 13 Myth Mythical level and archetype Evolutionism and transmission of archetypes Myth as a minimum common to all cultures -- 14 Nature Noise and nature Culturalism and naturalism Third phenomenological way -- 15 Ostinato Primary impulses and cultural developments of ostinato -- 16 Phenotype: The universality of certain sound forms refers to universal processes These alone can explain the very strong similarities found in cultures with no historical contacts -- 17 Playing music Communication and playing associated with the source of the music Music and sound ecology -- 18 Refrain Refrain and stanza Formalism and expression across different languages and poetic and musical styles Problems of multiple and varied refrains The refrain as a way of controlling time -- 19 Repetition A musical universal of primary importance A musician’s reading of some metaphysicians and aestheticians Repetition, innovation, learning: music as an image of life -- 20 Speaking instruments A brief overview of whistled and drummed languages, etc, at the crossroads of play, language and music -- 21 Strophe A universal form, also present in many bird songs Phenotype or genotype? -- 22 Style From impersonal archetype to originality Archetypes and stereotypes: the need for a hierarchy of values -- 23 Universal The need for a universal musicology Methods of approach and criteria of universality: phenotypes, genotypes, archetypes -- 24 Variation Synthesis of myth and history The “material” as a reification of schemas from the unconscious, and variation as a conscious treatment Failure of music where nothing varies as well as music where everything varies Universality of certain processes of variation -- 25 Zoömusicology New bioacoustic knowledge and musicological skills Distributional analysis and acoustic and functional categorisation Animal syntagms and paradigms, musical analogies.
520 _aThis translation of Musique au singulier (2001) from the French identifies what is common to music of all times and cultures. The author, François-Bernard Mâche is a composer and internationally renowned musicologist. He addresses the question of universals in music and demonstrates how musical play is a poetic and natural game that already takes shape in the animal world. Mâche invites the reader to reconsider the traditional opposition between nature and culture and to reflect on experiencing such intense emotions when both listening to and manipulating sounds. This title appeals to students and researchers working in musicology.
650 0 _aMusic theory.
_974241
650 1 4 _aTheory of Music.
_974242
710 2 _aSpringerLink (Online service)
773 0 _tSpringer Nature eBook
776 0 8 _iPrinted edition:
_z9783031585081
776 0 8 _iPrinted edition:
_z9783031585104
776 0 8 _iPrinted edition:
_z9783031585111
830 0 _aNumanities - Arts and Humanities in Progress,
_x2510-4438 ;
_v28
_977445
856 4 0 _uhttps://doi.org/10.1007/978-3-031-58509-8
912 _aZDB-2-LCM
912 _aZDB-2-SXL
999 _c60868
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