| 000 | 04089nam a22005535i 4500 | ||
|---|---|---|---|
| 001 | 978-981-97-2401-7 | ||
| 003 | DE-He213 | ||
| 005 | 20251030112617.0 | ||
| 007 | cr nn 008mamaa | ||
| 008 | 240706s2024 si | s |||| 0|eng d | ||
| 020 |
_a9789819724017 _9978-981-97-2401-7 |
||
| 024 | 7 |
_a10.1007/978-981-97-2401-7 _2doi |
|
| 050 | 4 | _aDS701-799.9 | |
| 072 | 7 |
_aHBJF _2bicssc |
|
| 072 | 7 |
_a1FPC _2bicssc |
|
| 072 | 7 |
_aHIS008000 _2bisacsh |
|
| 072 | 7 |
_aNHF _x1FPC _2thema |
|
| 100 | 1 |
_aWang, Yonghao. _eauthor. _4aut _4http://id.loc.gov/vocabulary/relators/aut _980151 |
|
| 245 | 1 | 0 |
_aAesthetics from Ancient China _h[electronic resource] : _bAspects of Fenggu / _cby Yonghao Wang. |
| 250 | _a1st ed. 2024. | ||
| 264 | 1 |
_aSingapore : _bSpringer Nature Singapore : _bImprint: Palgrave Macmillan, _c2024. |
|
| 300 |
_aVI, 224 p. 5 illus., 1 illus. in color. _bonline resource. |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 347 |
_atext file _bPDF _2rda |
||
| 490 | 1 |
_aKey Concepts in Chinese Thought and Culture, _x2524-8472 |
|
| 505 | 0 | _aChapter I Standards and Norms for Calligraphy and Painting: Fenggu in Calligraphy -- Chapter II Art in a Class of Its Own: Fenggu in Painting -- Chapter III The Beauty and Subtlety of Language: Fenggu as an Aesthetic Genre in Poetry -- Chapter IV The Formation of Fenggu―From Brush and Ink to Character -- Chapter V Shared Sensation and Connectedness—An Overview of Fenggu Aesthetic Genre. | |
| 520 | _aThis book presents the concept of Fenggu, one of the most important aesthetic categories of ancient China. As an inspiring aesthetic principle, it once encapsulated the particularities of various types of artistic creation and played an important role in traditional artistic creation and theoretic critique. The present volume aims to systematically elaborate on its etymological origin, connotations and generation, its great role in overcoming the tendency of creative stereotypes, its logical positioning in the ancient aesthetic system and its profound connection with traditional culture, via comprehensive analysis of a rich repository of original materials, in combination with calligraphy, painting, and poetry criticism. The theoretical character of traditional aesthetics has been derived from agglomeration of Fenggu with other several important categories of paradigm significance. Therefore, its investigation can offer insights into the organic rhythm of the development of ancient aesthetic thought and consequently lay a solid foundation for the construction of ancient art history and aesthetic history. Yonghao Wang, professor and doctoral supervisor of the Department of Chinese Language and Literature at Fudan University; distinguished professor of the Yangtze River Scholar Program of the Ministry of Education; Vice Chairman of China Literature and Art Critics Association, Vice Chairman of Shanghai Federation of Literary and Art Circles, Chairman of Shanghai Literature and Art Critics Association and Vice Chairman of Shanghai Poetry Society; Vice-chairman of the National Social Science Journals of Institutions of Higher Learning Institute, and Editor-in-Chief of Fudan Journal (Social Science Edition). | ||
| 650 | 0 |
_aChina _xHistory. _966901 |
|
| 650 | 0 |
_aArt _xHistory. _968955 |
|
| 650 | 0 |
_aOriental literature. _966468 |
|
| 650 | 1 | 4 |
_aHistory of China. _966903 |
| 650 | 2 | 4 |
_aArt History. _968957 |
| 650 | 2 | 4 |
_aAsian Literature. _966469 |
| 710 | 2 | _aSpringerLink (Online service) | |
| 773 | 0 | _tSpringer Nature eBook | |
| 776 | 0 | 8 |
_iPrinted edition: _z9789819724000 |
| 776 | 0 | 8 |
_iPrinted edition: _z9789819724024 |
| 776 | 0 | 8 |
_iPrinted edition: _z9789819724031 |
| 830 | 0 |
_aKey Concepts in Chinese Thought and Culture, _x2524-8472 _980152 |
|
| 856 | 4 | 0 | _uhttps://doi.org/10.1007/978-981-97-2401-7 |
| 912 | _aZDB-2-HTY | ||
| 912 | _aZDB-2-SXH | ||
| 999 |
_c61403 _d61403 |
||